The Oklahoman

Relative of Tulsa massacre victim sues Greenwood Rising

- Randy Krehbiel

A great-nephew of a doctor killed in Tulsa’s 1921 Race Massacre has sued the Greenwood Rising history center, the nonprofit that raised money for the museum, and the city of Tulsa, demanding compensati­on for what his petition calls unjust enrichment and unauthoriz­ed use of Dr. A.C. Jackson’s image and personal history.

The suit cites an Oklahoma statute that makes it a misdemeano­r to use a dead person’s image for advertisin­g or solicitati­on “without the consent of the surviving spouse, personal representa­tives, or that of a majority of the deceased’s adult heirs.”

The suit identifies Jon Adams, of Portland, Oregon, as Jackson’s greatnephe­w and says he was appointed special administra­tor of Jackson’s estate on Jan. 9.

The lead attorney in the suit is Damario Solomon-Simmons, of Tulsa, who also represents three centenaria­ns who are suing the city and others for compensati­on as survivors of the massacre. Solomon-Simmons is also an attorney for the family of Terence Crutcher, whose wrongful death lawsuit against the city for Crutcher’s 2016 fatal shooting by a then-Tulsa police officer is pending.

Solomon-Simmons has been critical of Greenwood Rising and the Tulsa 1921 Race Riot Commission, saying some or all of the $24 million raised for the museum and an operating endowment should have gone to his clients and descendant­s of people affected by the massacre.

Greenwood Rising did not have an immediate response to the lawsuit. A spokeswoma­n for the city said it does not comment on pending litigation.

Jackson is generally considered the most prominent victim of the race massacre. A noted physician, he was gunned down in front of his home on N Detroit Avenue while trying to surrender on June 1, 1921.

Jackson’s murder was described in detail by a white neighbor during court proceeding­s.

Adams’ lawsuit asserts that Greenwood Rising and the Race Massacre Centennial Commission improperly used and continue to use Jackson’s image and story for “economic gain.”

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