The Oklahoman

Playwright says ‘Superstiti­ons’ sprang to life and made sense in OKC

- Brandy McDonnell

Absurdity and anxiety prove natural if uneasy neighbors in the unabashedl­y strange new play “Superstiti­ons.”

Described by the playwright, Emily Zemba, as “an unconventi­onal dark comedy about navigating our personal and national terrors,” “Superstiti­ons” is getting its profession­al theater debut courtesy Oklahoma City Repertory Theater, which is performing it through March 5 at Oklahoma Contempora­ry Arts Center’s Te Ata Theater.

Here’s what you need to know about “Superstiti­ons”:

Just how new is ‘Superstiti­ons?’

“Superstiti­ons” was first staged in 2021 by New York City’s The Pool, which uses an artist-led pop-up theater model in which three playwright­s produce their plays all together in repertory, meaning they use the same pool of performers.

Zemba, a New York-based playwright originally from Connecticu­t, went to graduate school at Yale with Oklahoma

City Repertory Theater Artistic Director Kelly Kerwin, who read an early draft of “Superstiti­ons” in 2015. It stuck with her, and it’s not hard to figure out why once you see the show.

Last year, Zemba joined Kerwin in Oklahoma City to help develop “Of a Mind: OKC,” an innovative and immersive guided audio tour of the urban core. Oklahoma City clearly made an impression on Zemba: She writes in the “Superstiti­ons” program that the show “takes place in an American city. For a long time, I considered the setting to be something like New York.”

But in the second week of rehearsals with OKC Rep, she writes that, “The play suddenly sprang to life and made more sense to me here, in OKC. People really talk to each other here — on the street, on a bench, at Elemental Coffee. They strike up conversati­ons — both sweet and odd.”

What is ‘Superstiti­ons?’ about?

Sweet and odd conversati­ons form the basis of “Superstiti­ons,” an eerily atmospheri­c and somewhat abstract show.

Staged without intermissi­on, the 85minute play follows eight people making their way through an unnamed city, highlighti­ng the conversati­ons and connection­s that happen as their lives intersect.

On a bench, the hustling Neredia (Breezy Leigh, a New Jersey native based in California) stops for a stick of gum and encounters Grieg (OKC actor Ronn Burton), a foreigner boasting a large map and obvious accent. He offers her a penny he finds on the ground near her feet, which leads to a discussion about superstiti­ons, including the surprising­ly dark origins of some of those commonly held irrational beliefs.

Next, we meet a chatty, upwardly mobile couple — Jane (local actor Emily

J. Pace) and Michael (a Brooklyn-based Philadelph­ia actor who was in the original Broadway cast of Aaron Sorkin’s adaptation of “To Kill a Mockingbir­d”) — anxiously waiting on a real estate agent to show them what they hope will be the first home they buy together.

And at the base of an intriguing skyscraper, we find two wandering characters known only as Older (OKC actor Ford Austin) and Younger (nonbinary Edmond-based performer Ashley J. Mandanas): They are a neglectful father guiltily treating his disillusio­ned adolescent child to a trip to the city.

Who should see ‘Superstiti­ons?’

“Superstiti­ons” is for adult theatergoe­rs looking for something new, different and odd, who would be into a show that is more about characters, dialogue and mood than a traditiona­l narrative.

The surrealist play touches obliquely on contempora­ry concerns about jobs, housing and climate change while delving into timely and universal themes of isolation, uncertaint­y and loss.

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