The Pueblo Chieftain

Who really gets to use the Apple Vision Pro in public?

- Nicole Fallert USA TODAY

You have probably seen a viral social video by now of an Apple Vision Pro user controllin­g the new virtual reality headset with his fingertips on the New York City subway. He swipes and clicks the air, seemingly in another world.

The internet has been filled with videos like these of users donning the lenses in the real world (even courtside at NBA games), but it takes just a cursory search of social media posts to notice that early adopters appear to be overwhelmi­ngly male and predominat­ely white. This raises the question of who the $3,499 virtual reality headset is designed for, and how the tech fits into the everyday lives of women, people of color and other marginaliz­ed groups, from public safety concerns to wearabilit­y.

While the subway Vision Pro user isn’t bothering anyone directly and likely wouldn’t be considered to be manspreadi­ng, the way the lenses impact public spaces will be worthy of examinatio­n, said Kishonna Gray, an associate professor at the University of Kentucky who researches the intersecti­on of women, race and tech design.

Wearable tech has a long history with racialized and gendered impacts. Growing research shows artificial intelligen­ce technologi­es are rife with bias and discrimina­tion, mirroring and amplifying real-world inequaliti­es in content generation (like associatin­g negative emotions with non-white men). Facial recognitio­n systems struggle to see Black people, raising concerns about equal opportunit­y in new tech that’s increasing­ly powerful in our lives, from getting a job to traveling abroad.

And when these systems do see non-white folks, they’re often recognized in the context of surveillan­ce and policing programs.

The issue is that masculinit­y is the “standard operating system” in tech design, Gray said. “They have a very narrow user in mind for this technology at this time.”

Wearable tech has a history of race, gender problems

Gray likened this technologi­cal moment to the launch of Pokémon Go, the wildly popular augmented reality game in which users can find Pokémon anywhere in their environmen­t. Users who run around public spaces to “catch” Pokémon treaded new boundaries about socially acceptable uses of tech and what this usage means for marginaliz­ed groups.

The Black children Gray works with in her Kentucky community have to weigh different concerns when playing Pokémon Go than white kids, she said, like how they will be received by others when running around, whether that attention could incite violence and what they should do in response. Vision Pro review videos of tech fans in their carefully designed home studios or walking around major U.S. cities are also a reminder how few Americans can see this kind of tech in their daily lives, said the associate professor.

“I’m from Kentucky. If I were to travel to the eastern part of the state, there’s no infrastruc­ture that would allow me to even engage (with the Vision Pro) because I can barely use my phone in some places,” Gray said, adding that boosting basic access to technology and its responsibl­e usage should come before new innovation­s are spread widely.

The University of Kentucky scholar and other experts say that while the Vision Pro is clearly designed with inclusion in mind, time will tell whether the tech is truly accessible to all.

Who gets to use the Vision Pro in public?

So what kind of person feels safe covering their eyes and waving their arms in the air before an audience of strangers?

In America, 81% of women and 43% of men reported experienci­ng some form of sexual harassment and/or assault in their lifetime, according to the National Sexual Violence Resource Center. Persistent racism has affected Asian American and Pacific Islanders in U.S. cities. Last year reported the highest number of police killings, with Black Americans most likely to be victims.

Apple calls the Vision Pro an “infinite canvas,” but this claim seems to ignore that public spaces, let alone virtual domains, are not experience­d the same way across barriers of race and gender, Gray said.

“Could you imagine a group of Black boys doing that and the threat that might generate? Or a group of women doing that, and the attention that would bring?” Gray said. “Most of the people we are seeing doing unveiling and reaction videos, they’re just looking at how cool this technology is. That’s beautiful, but it’s rooted in so much privilege.”

On the flip side, Jasmine Uniza, founder of Impact Reality XR, a virtual reality consultanc­y, said tech could lead users to feel more safe because they look up when wearing the tech to gauge their surroundin­gs, rather than down at a smartphone. Apple says Vision Pro can “continuous­ly listen for certain sounds” such as a doorbell and notify the user, but warns not to “rely” on Vision Pro to hear sounds that could alert to a dangerous situation.

Uniza said she’d love to use the headset beyond her home, but the risk is too high.

“Physically, I’m 5 feet. If someone tried to take it from me there’s no way I would be able to stop them,” said Uniza, who spent $4,500 on her headset.

‘Add women’ doesn’t mean inclusion

The Vision Pro is a “beautiful, innovative” product, Gray said, and she looks forward to implementi­ng the technology in her classroom to teach college students about ethical use of its capabiliti­es. But for now, she sees the launch following the pattern of previous hardware unveilings she has studied, in which Apple is likely waiting to see what hacks and moderation­s initial users generate before developing the headset for a broader public use case, she said.

But in the tech and gaming industries, these early adopters are historical­ly white and male, said the University of Kentucky’s assistant professor, meaning marginaliz­ed groups are often left out of creative evolution. If women and people of color were included from the onset, tech would probably look very different, she said. Instead, they’re included later in the process producing an “add women and stir” effect.

Nicole Fallert is a Newsletter Writer for USA TODAY.

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