The Reporter (Lansdale, PA)

Woman discovers old flame blew smoke about his past

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DEAR ABBY: I have been single for five years. I recently reconnecte­d with a man I lost contact with 13 years ago. We went out a few times and it was wonderful.

Out of curiosity, I began checking him out online, starting with his mother, who he had mentioned was a surgeon. When I could find no informatio­n on her, I started looking up other things. Abby, I could find nothing about him or his family. His mother does not have a medical license, and there are no property records or any record of a marriage license to his second wife.

When I confronted him, he was furious and accused me of not trusting him. Now he doesn’t want anything to do with me. I’m heartbroke­n. I loved him years ago and thought this was for real.

I feel guilty for not trusting him, even though I know he hasn’t been honest with me. Is it wrong to do background checks on people you date? — DATING A MAN WHO DOESN’T EXIST

DEAR DATING: It isn’t wrong to do some checking. In fact, these days it’s very common. But I wonder, having known this man years ago, what made you curious enough to double-check? Also, how good are you at research? And when you “confronted” him, were you hostile, which would have made him react defensivel­y?

Please do not waste another minute feeling guilty about this. If he isn’t the person he portrayed himself to be, you may have dodged a bullet.

DEAR ABBY: My 7-year-old son is a great winner when we play games, but he’s a terrible loser. When he loses a game, he loses control. He screams, yells, hits and sometimes bites. Is there a way to stop this behavior or am I stuck with a son who hates to lose? — LOSING THE BATTLE AT HOME

DEAR LOSING THE BATTLE: You have described a child who is unable to handle frustratio­n or control his emotions. When a child is 2 or 3, this kind of behavior is understand­able. But by age 7, your son should have learned to manage his frustratio­n more appropriat­ely.

If his poor sportsmans­hip continues, it will cause problems with his peers. You should discuss this with him while he is rational, BEFORE you play any games with him. Explain that games are supposed to be fun, and “when we lose, we are given the chance to learn from our mistake.” The same is true in sports. Athletes use their mistakes to improve their skills.

It might also be helpful to impose consequenc­es when your son acts out. But if that doesn’t help him, then you should have him evaluated physically and neurologic­ally to make sure there is nothing medically wrong with him.

DEAR ABBY: I’m an 11-yearold girl, and my mom has a boyfriend who lives with us. Mom said that he comes first in her life. When she told me that, I felt like she didn’t love me anymore. He tries to be my father, acts like he owns the house and gets me in deep trouble. I have considered moving in with my dad. What should I do? — PRETEEN IN FLORIDA

DEAR PRETEEN: Now that your mother has made her priorities clear, I think it is time you discussed this with your father. If he is willing and able to take care of you, you might be better off living with him.

Write Dear Abby at www.DearAbby.com or P.O. Box 69440, Los Angeles, CA 90069.

What teens need to know about sex, drugs, AIDS and getting along with peers and parents is in “What Every Teen Should Know.” Send your name and mailing address, plus check or money order for $7 (U.S. funds) to: Dear Abby, Teen Booklet, P.O. Box 447, Mount Morris, IL 61054-0447. (Shipping and handling are included in the price.)

In the realm of musical versatilit­y, few can surpass guitarist Lee Ritenour. A master at merging fusion, funk, jazz, classical, rock and blues, his passion for diverse genres has yielded a remarkable 45 solo albums. Credited with numerous jazz hits, he is the recipient of an impressive collection of well-deserved music industry honors and awards. Heralded as one of the greatest guitarists of our time, Ritenour is regarded as a pioneer among the music elite.

“When I was growing up, I loved jazz, rock, blues, classical, acoustic — almost every kind of guitar playing you could imagine,” said Ritenour. “That versatilit­y worked out for my career ‘cause I kept changing, sometimes to the frustratio­n of my audience, but I kept moving and changing and staying fresh with different idioms of music. In those 45 albums you’ll see quite a bit of variety. That has kept me fresh and kept me growing.”

A native of Los Angeles, California, Ritenour’s first recording session, in 1968 at age 16, was with The Mamas and the Papas. By the mid 70s, Ritenour became a highly sought after session guitarist. He worked with such luminaries as Aretha Franklin, Simon and Garfunkel, Dizzy Gillespie, Steely Dan, Tony Bennett and Pink Floyd, a list indicative of Ritenour’s musical diversity. In 1975 he made his solo recording debut with “First Course,” the first of dozens of musical masterpiec­es to follow.

Ritenour’s ability to cross over a variety of musical genres earned him the unexpected distinctio­n of a pair of music videos for his songs “Is It You” and “Mr. Briefcase,” which were aired during the 1981 inaugural broadcast of MTV.

In celebratio­n of 50 years as a guitarist, Ritenour released his “6 String Theory” album in 2010. The album featured appearance­s by John Scofield, Pat Martino, Mike Stern, George Benson and Slash. “6 String Theory” earned numerous honors, including Guitar Album of the Year (Guitar Internatio­nal Magazine); The Number 1 of the Best 50 Guitar Albums of the Year (Guitarist Magazine); and an Echo Award in Germany for Best Internatio­nal Instrument­alist. In addition, Guitar Player Magazine paid homage to Ritenour with a Lifetime Achievemen­t Award.

In cooperatio­n with Yamaha Corporatio­n, The Berklee College of Music, Concord records, Monster Cable and D’Addario guitar strings, Ritenour launched the “6 String Theory Guitar

LEE RITENOUR Competitio­n,” which is now in it’s fourth year. (Artists may register at www.6stringthe­ory.com.)

“It’s a way for me to give back to some younger players that are trying to make a mark for themselves,” says Ritenour. “To mentor and give to the generation­s that are coming up now. It’s just ridiculous the amount of talent that is floating around out there. It’s a great way for them to test where they’re at musically. It’s turned out to be a wonderful thing.”

With his critically acclaimed 2012 album “Rhythm Sessions” (his latest studio endeavor), Ritenour has begun the tedious task of formulatin­g a follow-up.

“I’m just in the ramping up stages of the new album, planning the concept and putting the pieces together,” said Ritenour. “I’m at the bottom of the ground looking at the top of the mountain saying, ‘Oh my God that’s a very high mountain.’ That’s something I feel every time I start an album. By the time I get through conceptual­izing and composing and then I get into the studio, the rest of it from there on out is a piece of cake. It’s the initial part that’s challengin­g. I will be making the record this year. I’m not sure if we’ll put it out this year or the first quarter of next year.”

“The guitar winner in the 6 String Theory Guitar Competitio­n will get to play a track on the record,” Ritenour said. “Last year the rhythm section winners got to play a track on my “Rhythm Sessions” album. So that’s something that’s ongoing for these people. You get on a record where you’re being treated like a total pro with the best studio and the best players around you. Again, it’s a way to measure your own abilities. The only insurance policy a musician has is music education. The better you can be on your instrument — composing, arranging, writing, playing, producing — the more weapons you have and the longer you’re going to last in this business. You’ve got to stay humble.”

A seasoned veteran in the recording studio, Ritenour and his band are finding the rewards of performing live more gratifying than ever.

“My job as a musician is to really move people and make them smile,” says Ritenour. “To transcend wherever they’ve been in their life that day or that week and get to another place where they’re hearing their favorite song. We have a lot of fun on stage. I really like to interact with my band — that’s my whole thing. I like featuring my band and what they do well. So I try to bring the best out in my players and connect with my audience.”

IF YOU GO

Lee Ritenour performs at the Sellersvil­le Theatre, 24 W. Temple Ave., Sellersvil­le, PA 18960, at 8 p.m. Wednesday, March 5. Tickets: $33/$45 Call (215) 2575808 or check www.st94. com.

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