The Riverside Press-Enterprise

Parade floats bloom into big industry

Historians say event was first national commercial for the Socal lifestyle

- By Brennon Dixson bdixson@scng.com

The Rose Parade began as a competitio­n that allowed Pasadena transplant­s to boast about the abundance of flowers available throughout the region when winter sets in.

Over the decades, the games played in the annual Tournament of Roses have changed, but the floats have grown more intricate with time.

Valley Hunt Club members, led by Charles Frederick Holder in 1890, encouraged Rose Parade entrants to decorate horse-drawn carriages featuring hundreds of colorful blooms that would show their counterpar­ts back East why the West was superior.

About 2,000 people turned out to enjoy the midwinter festival featuring flower-adorned carriages, races, polo matches and tug-of-war contests on the town lot. The myriad of flowers and tournament games led to the recommenda­tion that the festival be named The Tournament of Roses, according to historians.

Stadium stewards in the modern era describe the affair as the first commercial for the Southern California­n lifestyle, a savvy marketing decision that would last long after the horsedrawn carriages featured in the spectacle.

The 31st Rose Parade, in 1920, marked the end of the horse-drawn era. Instead, motor-driven floats, powered by electric and gasoline engines began traveling the parade route.

Almost a century later, the parade floats stand as marvels of state of the art technology. Some represent causes of activism while others take up corporate causes, which date as far back as 1910 when Pasadena-based Makano Restaurant, a Japanese-owned establishm­ent, entered a float.

At the center of it all, though, are the flowers and other all-natural materials that wow crowds during a 5½-mile journey down Colorado Boulevard alongside spirited marching bands and high-stepping equestrian units.

At one point, flowers came from the backyards of local residents. Now float constructi­on is hardly as simple.

It takes about 7,000 hours to decorate one float from start to finish, and more than 500,000 flower stems will be sourced from countries around the world, including Thailand, Singapore and many in South America.

Few can describe drastic changes in float constructi­on that have occurred over the decades like Kay Sappington, who’s headed Sierra Madre’s decorating team for nearly 20 years.

During a tour of the Sierra Madre Float Associatio­n’s facility, Sappington said all of the elaborate floats constructe­d for this year’s affair will feature high-tech computeriz­ed animation and natural materials from around the world.

Most, however, will be built by profession­al float building companies like Fiesta Parade Floats or represent major corporatio­ns rather than small towns.

Sierra Madre volunteers, in an attempt to keep up with the changing times, sit in a warehouse for three days a week to brainstorm how to keep pace.

“I think we’re constantly finding workaround­s to problems because we don’t always have the resources the pros do,” Sappington said, explaining how parade officials historical­ly value creativity and ingenuity while downplayin­g overt commercial­ism in floats.

Still, the event is big business, according to Sappington. So much so, the process to design a new float starts in January, just after the parade’s conclusion. Funds are raised throughout the year, and stress is prevalent as a result.

The yearlong effort pays off every New Year’s morning, though, according to Sappington, when millions of viewers around the world enjoy the Rose Parade and the hours that her team of locals dedicated to make magic happen.

It usually takes more than a few volunteers to construct the mechanical giants.

Tim Estes, president of Fiesta Parade Floats, said his profession­al team of float builders in Irwindale traditiona­lly builds about a dozen floats each parade.

This year, the team is doing only seven because of issues related to the pandemic and the ability to obtain large batches of flowers needed for decoration.

Like so many businesses, the pandemic took its toll on business when the parade was canceled in 2020, according to Estes, who said at the time he was forced to lay off his staff after losing 96% of his annual income following the 2020 parade’s cancellati­on.

Cities such as Downey and Sierra Madre have found ways to stay relevant despite being some of the few amateur-led entries remaining in the parade.

The increasing costs of steel and florals combined with unpreceden­ted shipping delays have added to the roadblocks a small group faces in the race to vial 10,000 roses before New Year’s Eve.

To cut down on costs, it’s been suggested that designers use paint instead of natural items, or simply choose to not decorate every square inch of a float.

Sappington reminds locals the group must use natural materials, such as cinnamon, burned sesame seed or palm husks.

“And we wouldn’t have it any other way,” she said, proudly pointing to her peers who creatively find ways year after year to wow the crowds who line Colorado Boulevard on New Year’s Day.

She’s not alone in the effort after constructi­ng a network of assistants to call on when the group find themselves in a bind.

“We’ve all come to be a family,” Sappington said, pointing to the welders, engineers and retirees who flock to the region to assist. “It’s certainly a labor of love that I know will continue long after I’m gone.”

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