The Sentinel-Record

‘Conspiracy of silence’ preserved baseball’s color line

- Chris Lamb AP’s The Conversati­on Chris Lamb is a professor of Journalism, IUPUI. The Conversati­on is an independen­t and nonprofit source of news, analysis and commentary from academic experts.

The Baseball Writers’ Associatio­n of America recently announced that it would remove former Major League Baseball Commission­er Kenesaw Mountain Landis’ name from the plaques awarded to the American and National League MVPs.

The decision came after a number of former MVPs, including Black award winners Barry Larkin and Terry Pendleton, voiced their displeasur­e with their plaques being named for Landis, who kept the game segregated during the 24 years he served as commission­er from 1920 until his death in 1944. The Brooklyn Dodgers ended the color line when they signed Jackie Robinson to a contract in October 1945, less than a year after Landis’ death.

Landis has had his defenders over the years. In the past, essayist David Kaiser, baseball historian Norman Macht, Landis biographer David Pietrusza and the commission­er’s nephew, Lincoln Landis, have claimed that there is no evidence that Landis said or did anything racist.

But in my view, it’s what he didn’t say and didn’t do that made him a racist.

In my book “Conspiracy of Silence: Sportswrit­ers and the Long Campaign to Desegregat­e Baseball,” I argue that baseball’s color line existed as long as it did because the nation’s white mainstream sports writers remained silent about it, even as Black and progressiv­e activists campaigned for integratio­n.

However, those who ran the league possessed far more power than sports writers. Landis, along with the owners, knew that there were Black players good enough to play in the big leagues. If he wanted to integrate Major League Baseball, he could have.

Instead, he did all he could to prevent the rest of America from knowing just how talented Black baseball players were.

By the time Landis became commission­er in 1920, baseball had been segregated ever since a so-called “gentlemen’s agreement” took place among team owners in the 1880s.

However, it was common practice in the 1920s for Major League teams to earn extra money in the offseason by playing Black teams in exhibition games. Landis put a halt to these games because he wanted to end the embarrassm­ent of the Black teams’ winning so often.

It is worth noting that Black athletes competed with white ones in other sports in the 1920s and 1930s, including boxing, college tennis, college football and, for several years, the National Football League. Black athletes also represente­d the United States in the Olympics.

During the 1930s, Black sports writers like Wendell Smith and Sam Lacy, along with white sports writers for the Communist newspaper The Daily Worker, intensely campaigned for the integratio­n of baseball.

In their editorials and articles, Worker sports writers chronicled the accomplish­ments of Negro League stars and told readers that struggling Major League teams could improve their chances by signing Black players. Meanwhile, Communist activists organized protests and circulated petition drives outside the ballparks of New York’s three Major League teams

— the Yankees, Giants and Brooklyn Dodgers — demanding that teams sign Black players.

The petitions, which had, according to one estimate, a million signatures, were then sent off to the commission­er’s office. They were ignored. The Daily Worker regularly focused on Landis as the person responsibl­e for the color line, while the Black press derisively called him “the Great White Father.”

Landis’ defenders say that he could not possibly have been a bigot because he suspended Yankees outfielder Jake Powell for making a racist comment during a 1938 radio interview.

Landis suspended Powell not because the ballplayer used a slur, but because it was heard by fans, and Black activists pressured the commission­er to do something. While Landis ended up punishing a racist player, he did nothing to end racial discrimina­tion against Black players.

Furthermor­e, Landis refused to allow players and managers to speak on the issue. When Brooklyn manager Leo Durocher was quoted in a 1942 Daily Worker article saying he would sign Black players if he were allowed to, Landis ordered Durocher to deny that he made the statement.

The following year, Landis again subverted the campaign to end segregatio­n in the sport.

Sam Lacy, who was then working for the Chicago Defender, repeatedly asked Landis for a meeting to talk about the color line. When Landis finally agreed, Lacy asked the commission­er if he could make the case for integratio­n at baseball’s annual meeting.

Landis, without telling Lacy, invited the Negro Newspaper Publishers Associatio­n. Also invited to speak was Paul Robeson, the one-time college football star who had become an actor, singer, writer — and avowed Communist. Lacy was incensed that Robeson would be asked to address the conservati­ve white owners about the sensitive issue of integratio­n.

To Lacy, the presence of Robeson meant that Landis could plant seeds of suspicion with white owners and sports writers that the campaign to integrate baseball was a Communist front.

Lacy wrote in a column that Landis reminded him of a cartoon he had seen of a man extending his right hand in a gesture of friendship while clenching a long knife that was hidden in his left hand.

Landis died in December 1944, and Lacy finally got a chance to address team executives in March of the following year. Brooklyn Dodgers executive Branch Rickey ended up signing Jackie Robinson to a contract several months later, thus ending segregatio­n in baseball.

Lee Lowenfish, Rickey’s biographer, was convinced that Landis would have tried to stop the Brooklyn executive from signing Robinson.

I believe it is no coincidenc­e that baseball remained segregated during Landis’ reign as commission­er — or that it became integrated only after he died.

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