The Sentinel-Record

Ukraine’s Eurovision entry unites nation


TURIN, Italy — Ukrainian band Kalush Orchestra’s upbeat, melodic entry for this month’s Eurovision Song Contest was written as a tribute to the frontman’s mother.

Since the Russian invasion of Ukraine, it has become an anthem to the war-ravaged motherland.

“Stefania” is the mostwatche­d song on YouTube among the 35 national entries that are slated to compete when the Eurovision contest takes place next week in Turin, an industrial city in northern Italy.

While some oddsmakers and data analysts have predicted other contestant­s will win, the song by Kalush Orchestra is quickly becoming a sentimenta­l favorite.

“I’ll always find my way home, even if all roads are destroyed,” Kalush Orchestra frontman Oleh Psiuk wrote in the lyrics for “Stefania.”

His words have become more poignant as missiles pound Ukrainian cities and villages, forcing over 11 million to flee since Russia invaded the country.

“Indeed, some stuff in here was written long before the war, and it was dedicated to my mother,” Psiuk told The Associated Press at his hotel in Turin.

“After it all started with the war and the hostilitie­s, it took on additional meaning, and many people started seeing it as their mother, Ukraine, in the meaning of the country. It has become really close to the hearts of so many people in Ukraine,” said the songwriter, who wore a bright bucket hat that would make him instantly recognizab­le to anyone who has streamed “Stefania.”

Kalush Orchestra’s Eurovision performanc­e will have an added political message, representi­ng the uniqueness of Ukrainian culture against Russian President Vladimir Putin’s bellicose claim that the former Soviet republic was always part of Russia.

“Stefania” incorporat­es old Ukrainian melodies and unique musical pitches from a primitive, difficult-to-play woodwind called a telenka, played by lead singer Tymofii Muzychuk.

The band members mix break dancing with Hopak, a Ukrainian folk dance, in an energetic performanc­e punctuated by Psiuk’s rap interludes. Costumes feature embroidere­d Cossack shirts and vests mixed with contempora­ry streetwear.

“We ourselves show that Ukrainian culture and Ukrainian ethnic code exists,” Psuik said. “Our purpose is to make Ukrainian music popular, not only in Ukraine but all over Europe. And Eurovision is the best platform for that.”

Psiuk and five bandmates, all men between the ages of 21 to 35, received special permission from Ukrainian authoritie­s to travel to Turin to participat­e in Eurovision, traveling by land to Poland and then flying to Italy. One original band member stayed behind to fight.

Psiuk, 27, left behind a network of volunteers he organized two days into the war to help mete out logistical help to people across Ukraine seeking shelter or transport.

All will return to Ukraine when the song contest finishes.

“We feel a big responsibi­lity,” Psiuk said. “It’s very important for us to be as useful to the country as possible. We want to represent our country decently.”

Kalush Orchestra is more than just a musical group. It is a cultural project that includes folklore scholars and purposeful­ly combines hip hop with traditiona­l Ukrainian music, dance and costumes, some long-forgotten, according to Psiuk.

The 6-month-old project takes its name from Psiuk’s hometown of Kalush, which is tucked in the Carpathian Mountains, south of the western city of Lviv. It’s an evolution from the original Kalush hip hop group that Psiuk also fronted.

After Russia’s Feb. 24 invasion of Ukraine, Russia’s entry to the Eurovision was kicked out of the contest in a move organizers said aimed to keep politics out of the hugely popular event, which was viewed last year by 183 million people.

Psiuk said Russia’s exclusion from Eurovision, along with other cultural and sporting events, could send a message to Russians “who may say they do not understand the situation in full … that there is a reason that the whole world, Europe, is banning them.”

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