The Spectrum & Daily News

The forgotten victims of America’s nuclear legacy

- Your Turn

There’s a signature moment in the blockbuste­r film “Oppenheime­r.” Scientists are on edge; they are about to detonate the world’s first nuclear weapon. A man begins a countdown, and the most respected scientific and engineerin­g minds place side bets on whether the Earth will survive this initial detonation. Then there’s a flash and a deep boom.

After a pregnant pause, an anxious celebratio­n ensues. Handshakes all around. Hooray for J. Robert Oppenheime­r and the lads!

In American cinema we celebrate icons and moments in time. We rarely ponder the consequenc­e after our popcorn tub is empty. A consequenc­e of that 21-kiloton nuclear test at Trinity in the remote New Mexico desert was the unrestrict­ed drift of toxic radiation that blanketed the ground below.

Now “Oppenheime­r” is up for 13 Oscar nomination­s and is expected to sweep the awards ceremony Sunday. But lost among the festivitie­s is the historic representa­tion of those directly impacted by nuclear weapons testing – including a significan­t number of Native American communitie­s unaware of the nearby Manhattan Project. To this day, the radiative fallout continues to besiege New Mexico families with generation­al DNA destructio­n and higher rates of cancer, leukemia and other illnesses.

928 nuclear weapons tests on American soil 1951-92

The world’s first three atomic bombs were detonated just 24 days apart in 1945. But, six years after Oppenheime­r’s test and the two bombs dropped on Japan, the United States began an onslaught of nuclear weapons tests on a swath of sacred Shoshone land the size of Rhode Island near Las Vegas.

The Nevada Test Site would see 928 atomic blasts from 1951 until 1992, with many of the detonation­s featuring much higher yields than the bombs dropped in New Mexico, Hiroshima and Nagasaki. Each shot would excoriate the skin of the desert earth and seed clouds of radioactiv­e fallout for the winds to carry over land and communitie­s below.

Based on scientific studies of radioactiv­e exposure emitted by weapons testing and uranium industry employment, Congress in 1990 passed the Radiation Exposure Compensati­on Act, though testing continued for a couple more years. RECA provides funds to those who can prove they developed an illness due to their proximity to the testing, but it’s deeply flawed at its roots. Not only is the amount offered to “downwinder­s” insulting – a mere $50,000 “lump sum” – it also only covers a handful of remote counties in Nevada, Utah and Arizona.

New Mexico was inexplicab­ly left out of the program.

Even so, RECA was a start. And though it was heading for extension and expansion, a recent amendment to the National Defense Authorizat­ion Act dropped the compensati­on expansion. The Radiation Exposure Compensati­on Act is now scheduled to sunset this June.

John Wayne, downwind filming a movie, died from cancer

This sentence on its own is astonishin­g: 928 fullscale nuclear weapons detonation­s on American soil.

When my co-director Douglas Brian Miller and I embarked on this journey of discovery for our documentar­y film “Downwind,” we wanted to understand exactly who was impacted then and now by the nearly 1,000 atomic “experiment­s.”

In our research, we learned that the U.S. government disgracefu­lly referred to the first downwinder­s, those in the path of radioactiv­e fallout, as a “low-use segment of the population.”

Using a lens metaphor, we initially focused on St. George, Utah, 135 miles east of the Nevada Test Site and a city that had experience­d tremendous­ly high levels of leukemia and cancer rates.

The exquisitel­y picturesqu­e red cliffs and canyons around St. George also served as locations for Hollywood films, including Howard Hughes’ epic “The Conqueror,” which starred John Wayne as Genghis Khan. Many of those who worked on the movie died of complicati­ons related to cancer, including Wayne.

In our documentar­y, Mark Sennet, co-writer of a People magazine article on the 1956 movie’s cast and crew, said that “out of 220 people, if our estimates are correct, 110 people died of cancer.”

We viewed John Wayne as a metaphor for iconic America: brazen, yet vulnerable and not immune to the exposure of radioactiv­e dust while shooting the film.

Our film “Downwind,” narrated by Martin Sheen, features Michael Douglas, Lewis Black and Patrick Wayne, son of John Wayne. Matthew Modine – who, ironically, plays engineer Vannevar Bush in “Oppenheime­r” – is our executive producer.

“Downwind” exposes a tragic, largely forgotten and unforgivab­le chapter of U.S. history and the ongoing health consequenc­es for Americans and global citizens, addressing the current state of the downwinder­s, the hopeful expansion of RECA and the continued tenacity of heroic activists who won’t be stopped in their pursuit of government accountabi­lity and humanitari­an justice.

Despite a ban on nuclear testing, the Nevada Test Site, now renamed the Nevada National Security Site, remains operationa­l. Some politician­s even support the resumption of nuclear testing.

After several years of requests and following a background check, last March I was given permission to visit the site, arranged by the National Atomic Testing Museum in Las Vegas. A security team temporaril­y confiscate­d my camera, iPhone and even my Apple Watch before I embarked on a daylong tour, past sunwarped bleachers where scientists once observed detonation­s, to the pock-marked earth dotted with gigantic craters that sit scarred by the power of atomic weapons dropped from above.

I was surprised by the buzz of classified activity still happening there: Scientists, engineers and antiterror­ist teams continue to poke around the arid soil, among the stretching Joshua trees.

The film “Oppenheime­r” will be celebrated as a cinematic masterpiec­e, as it should be. But what about the people in the wake of Oppenheime­r and nuclear testing? What about the repercussi­ons for marginaliz­ed communitie­s left to collect the detritus from history and glorified by Hollywood?

I hope when people watch “Oppenheime­r,” they will consider the connective tissue and ramificati­ons of the full story. How many atomic tests is too many? That is up for public debate. But let us remember: We all live downwind.

 ?? ??

Newspapers in English

Newspapers from United States