The Standard Times

How to shop in used-book stores: 14 tips from a bibliophil­e

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Michael Dirda

Being now a grizzled veteran of many, many expedition­s to used-book shops, I’ve gradually assembled a set of principles to guide me in my quests for biblio-treasure. What follows are a few of the unofficial rules and insider tips to bear in mind when you go out “booking.”

1. Wear comfortabl­e clothes Unless you’re visiting a high-end dealer such as Silver Spring, Md.’s Type Punch Matrix or a small oasis like Kensington Row Book Shop in Kensington, Md., you’ll be bending down to peer at shadowy bottom shelves, possibly On going through boxes and around probably getting dirty. Think

the of yourself as a prospector. ridge Carry a small flashlight. Virginia, 2. Go forth in a spirit of earthquake!

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4.8 If you want just one parcentere­d ticular title by John McPhee that or Ursula K. Le Guin, you’re

of likely to be disappoint­ed. Inground stead, be ready for anything, dishes. whether it’s discoverin­g a cruelty, new author or pouncing on an undervalue­d gem. You’ll only know what you need when you see it.

3. Take your time

At venues like the Second Story Books Warehouse in Rockville, Md., Capitol Hill Books, or Wonder Book and Video emporium in Frederick, Md., you can easily pass a very happy afternoon. The hours will whiz by. Bring a candy bar.

4. If possible, aim for a midweek visit

Like most stores, usedbook shops sometimes grow crowded on Fridays, Saturdays and Sundays. Since Mondays are often devoted to restocking, midweek can be the best time to see what’s new, especially if inventory turns over rapidly, as at the Friends of the Library bookstores in Montgomery County, Md.

5. Be courteous Replace books where you found them. Don’t carry on loud or long conversati­ons. Don’t boast to the owner or manager that the old paperback of Jack Vance’s “The Dying Earth” priced at $5 is actually its scarce Hillman first edition worth $100. Do look at the books themselves, not at a handheld device that indicates what they sell for online. Otherwise, prepare to be quietly and justly reviled by those around you.

6. Start at the sale carts Even before you cross the threshold of any bookshop, be sure to check out the sale carts or table on the sidewalk outside. Mistakes are made, and there may be sleepers awaiting your eagle eye.

If, in fact, you are mainly interested in older fiction and nonfiction, the sidewalks often serve as final resting places for your kind of vintage material. A store may acquire a private library, ravage it for the more immediatel­y “sellable” works, and then dump the more obscure, tatty or common titles onto its bargain tables. Like me, you might be very happy to find a worn hardback of Emily Eden’s “The Semi-Attached Couple” (very Jane Austenish) or one of the witty novels of William Gerhardie (somewhat Evelyn Waughish) or any volume from the wonderful Dent’s Illustrate­d Children’s Classics.

7. Be friendly

Say or nod hello to the manager or clerk on duty. If asked whether you need any help, the time-honored response is “I’m just browsing,” unless, of course, you really would like some guidance. After a few visits to a store, you might exchange names with the people you deal with there. As at bars and restaurant­s, becoming a regular tends to elicit a warm reception and extra attention. For instance, if you cheerily ask “Anything new?” in a D.C.-area shop, Dylan, Lance, Eli, Zachary, Julia, Susan, Dave, Allan, Chuck, Joey, Hi Lee, Tom, Hélene, Debbie, Patrick, Lauren, Nathan, Victoria, Camille or Aaron might reply, “We just purchased the library of [insert one – a

Famous Professor, Georgetown Socialite or Science Fiction Fan]. Want to take a look?” Sometimes you might be permitted into the backroom or sorting area. As the material there may be “raw stock,” you can sometimes negotiate a quick-sale price for a wanted title.

8. Size matters

In smaller shops like the Lantern in D.C.’s Georgetown, or thrift stores with just a wall of books, you should probably look at nearly everything. Don’t skip the science and mathematic­s shelves just because you’re interested only in American history. You wouldn’t want to miss picking up that hardback of George Gamow’s “One, Two, Three … Infinity,” which would make a splendid gift for a middle-school student, as I can testify.

While a large store can be overwhelmi­ng, and a warehouse even more so, volume does increase your chances of finding titles you never knew you wanted. By contrast, a small shop – unless it’s just a paperback exchange – tends to be zealously curated, so there won’t be any bargains, but you might happen upon a beautiful copy of that first edition of Marilynne Robinson’s “Housekeepi­ng” you’ve always yearned for.

9. Explore various sections

Bear in mind that some writers’ books can be scattered throughout the store.

Ford Madox Ford, for instance, wrote biographie­s, poetry, memoirs, art history, essays, novels, literary criticism, travel books and World War I propaganda. Consequent­ly, his various works might be found in multiple places other than on the shelves marked Literature. So explore. At the least you’ll gain a better sense of the dealer’s overall stock. And, by the way, if you’ve never read Ford’s “The Good Soldier,” you’ve missed one of the greatest – and most technicall­y dazzling – novels of the last century. It opens, “This is the saddest story I have ever heard,” and never lets up.

10. Look closely

If you can’t make out the faded words on the spine of a jacketless hardcover, always pull put the book to discover exactly what it is. I own a first American edition of J.R.R. Tolkien’s “The Hobbit” because dozens of people before me never bothered to scrutinize the copyright page of this slightly water-damaged volume with an unreadable spine. While hardly a pretty copy of the classic, it is nonetheles­s worth a pretty penny.

While you’re at it, you should also reflexivel­y check for an author signature, which adds to a work’s value. Some writers – Annie Proulx and Julian Barnes come to mind – sign their books in such tiny handwritin­g that a hurried bookseller can easily overlook their microscopi­c script.

11. Consider an upgrade

When I was in junior high I read Henry David Thoreau’s “Walden,” which taught me not only to be true to myself but also what American prose should sound like. I still retain my old Signet paperback for sentimenta­l reasons, but for reading these days I turn to an attractive hardback from Princeton University Press. To own a scholarly or first edition of a favorite book is a way to honor its place in your life. Plus such copies make great gifts.

12. Think outside the box

All book collectors develop distinctiv­e crotchets. For example, most people pay no attention to broken sets of an author’s complete works: Yet the odd volumes, nearly always priced to sell, may be printed on good paper, with large type and wide margins. They make excellent reading copies if you’re looking for, say, Walter Scott’s “Ivanhoe” or Anthony Trollope’s “Framley Parsonage.”

Inversely, otherwise hardto-find titles can sometimes be acquired in cheap omnibus editions. I wanted a copy of “Atomsk,” a scarce, and now very expensive, psychologi­cal spy novel by Carmichael Smith (one of the pen names of Paul M.A. Linebarger, better known in science fiction circles as the inimitable Cordwainer Smith). I finally acquired a copy after discoverin­g that it, along with three other titles, had been reprinted in a volume of the Unicorn Mystery Book Club.

When traveling, instead of tsotchkes, I pick up appropriat­e-seeming books as souvenirs: During a trip to Alaska, I acquired a collection of Jack London’s Klondike stories; from a visit to Chicago’s Abraham Lincoln Book Shop, I took home a copy of Fletcher Pratt’s lively short history of the Civil War, “Ordeal by Fire.”

13. Consult a specialist

Once you’ve become seriously interested in collecting Civil War history, classic children’s literature or any other subject, you’ll want to visit dealers specializi­ng in those kinds of books. You won’t find any beat-up bargains, but you will find older books that have been well cared for and newer ones with bright dust jackets in mint condition. Many of the items might even be unique because they were inscribed to one of the author’s nearest and dearest. You’ll pay top dollar for such collectibl­e copies, but the shop will guarantee their authentici­ty, and if you choose wisely your purchases will maintain or increase in value.

14. Buy something

Try never to leave a bookstore without making a purchase, if only a used paperback. It is the least you can do to support these defenders and bastions of civilizati­on.

Let me end these bibliophil­ic thoughts by stressing that the most interestin­g books are seldom the obvious ones – that’s why “hitting the shops” is so much serendipit­ous fun. But don’t forget that collecting books should lead to reading and using them, whether we do so for instructio­n, research or delight. Interior decoration doesn’t count.

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