The Taos News

Architectu­re, space and culture

- By Anita Rodriguez

IT WOULD NEVER OCCUR

to most people to compare palm reading with the architectu­ral plans for a house or residentia­l neighborho­od. But I was born next to Taos Pueblo, in what was then the almost all-adobe town of Taos. Then I worked in Egypt for Hassan Fathy, winner of the Aga Kahn prize for earth architectu­re and author of “Architectu­re for the Poor.” I traveled with a team of his disciples through Egypt and observed the lifestyles and architectu­re of Muslim Egyptians. Then I moved to the wildly eccentric architectu­ral city-sculpture of Guanajuato, Mexico.

That is the city you see in the window Then take the Taos Pueblo site plan, behind this self-portrait, entitled, and imagine the human relationsh­ips “Me, My Bones and My Roses.” Guanajuato imposed by the architectu­re – and was built in the 17th century compare it to the suburban site plan. in a steep funnel, a town with no level Like a cookie sheet of brownies, the ground. There are no houses without suburban site is cut into squares, one stairs, some of the streets have almost house plunked in the middle, isolated 45 degree inclines. from its neighbors, space is privatized Guanajuato has and used to separate people. There is more stairs than any no commonly used connecting space, city in the Western as if the point is not to know your Hemisphere. Its neighbors. builders lavished The Pueblo site plan, and the Hispanic the city with the incredible wealth from village site plan both tend to the silver mines – located at the bottom cluster around a central plaza. The of the funnel – and the result is a villages of Ranchos, Questa, Trampas breathtaki­ngly beautiful city where 80 and Ojo Caliente, to name a few, were percent of the streets are inaccessib­le enclosed for defensive purposes, but to cars. the plan also promoted social cohesivene­ss,

In all of these cases the human mutual support and community. relationsh­ips, hence the culture, the This pattern of plazas is generally worldview, the daily patterns of life are consistent in Central America, including all revealed in the floor and site plan Guanajuato where even individual – just as the lines in a palm, the leaves barrios have their own plazas. This in a teacup, or the Tarot cards reveal pattern that centered on shared, communally-used the character and surroundin­g circumstan­ces space, was designed precisely of the questioner. for collective events and private

To connect these superficia­lly farflung loitering. See how architectu­re imposes dots let’s start with the house plan lifestyle? of Fathy’s houses in Gourna, the symphonica­lly My intuitive reading of the new, proposed beautiful village he built for housing developmen­t is that it is the Egyptian government to relocate a urban, and fundamenta­lly individual­ist village of fellaheen [native peasants or in nature. There is no land reserved for laborers in Arab countries]. agricultur­e or food sustainabi­lity, and

Every house had an oblique entry there is not only an absence of communal that would permit women to veil use, but architectu­rally-imposed themselves before strangers entered obstacles to community and sharing. private domestic space. Rooms were When the county thinks of affordable arranged so the women could go about housing – why not cluster houses their domestic duties without being in a corner of the available land, share seen by male guests. Every house had walls, plumbing and utilize roof runoff a back patio, like the patio de servicio for some trees? Why not create an in Mexico, with doors opening onto enclosed, plaza where perhaps a garden, little alleys so women could access the a safe place for children, for even village laundry sites in privacy. It is not a little park with trees and flowers? Why difficult to see how the lifestyle of a fellaheen not leave the rest of the land for farming, family would be dramatical­ly wildlife? Think of the security benefits changed if they found themselves in a and cost-effectiven­ess of a cluster suburban housing developmen­t. of houses designed along the lines of a giant hacienda around a little plaza. It would be so much more beautiful and historical­ly relevant.

Taoseños my age witnessed an architectu­ral landscape that was communally-built from locally available, non-industrial, renewable resources, almost all-adobe, non-polluting, outside of or marginal to the cash economy, requiring a minimum of tools and that women could use. A basically free building material that requires investing in labor instead of capital is anathema to capitalism. It’s the system, not the material that makes adobe the building material of the rich. And it’s the system that is now making industrial building materials frightenin­gly expensive.

The present housing situation nationwide and locally is not sustainabl­e, and the constructi­on industry’s consumptio­n of unrenewabl­e, extractive and polluting materials is coming to an end too. Like it or not, we have to re-think housing and constructi­on.

 ?? COURTESY ANITA RODRIGUEZ ?? ‘Me, my bones and my roses’
COURTESY ANITA RODRIGUEZ ‘Me, my bones and my roses’

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