The Week (US)

The Jazz Age: American Style in the 1920s

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In the 1920s, groundbrea­king ideas about art, fashion, and decor “sluiced back and forth across the Atlantic like iced gin in a cocktail shaker,” said Steven Litt in the Cleveland Plain Dealer. A “sprawling, gorgeous” exhibition in Cleveland is reviving that “sexy, ebullient” era, inviting visitors to revel in flapper dresses, high-society jewels, rampant skyscraper worship, and art deco ornamentat­ion. Just don’t expect the phrase “art deco” to appear in any wall text. The curators decided that so many currents contribute­d to the arrival of distinctiv­ely modern design that one label shouldn’t be allowed to overshadow all else. Again and again, the objects on display yield unexpected juxtaposit­ions that “crackle with energy.”

The show, though enjoyable from start to end, “doesn’t quite prove its point,” said Roberta Smith in The New York Times. After an opening section that showcases the staid ornamental style that the wealthy still favored at the start of the 1920s, art deco rushes in and seizes our eyes and imaginaRut­h tion. The initial wave arrives from Paris in high-end pieces like a gondola-shaped upholstere­d sofa made of rosewood. Next comes an array of nightlife accessorie­s, including bejeweled cigarette cases and Gloria Swanson’s diamond-and-platinum Cartier cuff bracelets, all conjuring a

 ??  ?? Feher’s ornamental screen: Paris meets Cleveland.
Feher’s ornamental screen: Paris meets Cleveland.

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