The Week (US)

Louis C.K.: A vengeful comeback

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After admitting to sexual misconduct more than a year ago, comedian Louis C.K. pledged to “step back and take a long time to listen,” said Anna Silman in TheCut.com. He’s been listening, all right. Not to the women he hurt, but to “that furious, tiny masturbato­r on his shoulder, whispering in his ear: ‘ Aren’t you, Louis C.K., really the biggest victim in all of this?’” A leaked recording of the disgraced performer workshoppi­ng a new set at a Long Island comedy club shows that he’s bitter and angry, seemingly blaming his downfall on today’s “woke” youth and PC culture. C.K. rants about gender-neutral pronouns, derides Asian men’s masculinit­y, and mocks the Parkland student activists as unqualfied to speak on public policy. “You’re not interestin­g because you went to a high school where kids got shot,” C.K. says. I always hoped that C.K.—whose comedy was originally based on examining his own bad behavior—“would find some way to redeem himself.” Instead, he’s leaning into being a “reactionar­y a--hole.”

“In other words, the new stuff is pretty much exactly in line with Louis C.K.’s previous material,” said Robby Soave in Reason.com. Prescandal, C.K. was celebrated for his transgress­ive comedy, such as jokes about child rape and masturbati­ng on 9/11. “Those who suddenly find themselves balking at Louis C.K.’s edgy material should admit that the comedian didn’t really change. They did.” Like any good comedian, C.K. revels in tipping over sacred cows, said Kyle Smith in NationalRe­view.com, and nobody is more untouchabl­e than the Parkland students. The uncomforta­ble truth “is that surviving a school shooting doesn’t make you an expert on any public-policy question.” The Parkland bit is vintage Louis C.K.

Yes, comedy has a problem with “PC scolds,” said Abe Greenwald in the New York Post. But “a growing number of comedians have come to see offensiven­ess as an end in itself.” C.K.’s best comedy dealt in “hard truths,” but his new material seems “crafted to wound”—and isn’t funny. I almost feel bad for Louis, said Alyssa Rosenberg in The Washington Post. He could have salvaged his career with an honest, introspect­ive set about his abusive behavior. But he can’t accept responsibi­lity for his downfall, so he’s stuck struggling for laughs with bitter jokes in dingy clubs. It’s the “perfect punishment’’ for a man who feels sorry only for himself.

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