Living With Yourself

Paul Rudd’s latest character is a burned-out, hapless middle-aged ad man who takes a chance on a strip-mall spa promising DNA-level renewal. The Miles Elliott who wakes up from the treatment is indeed happier, more engaged, and more charismatic—but he doesn’t realize that he’s a clone of the old Miles, who soon digs himself out of a disposal pit to confront his doppelgänger and the dilemma of how the two of them can share