The Week (US)

The songwriter who saw poetry in everyday lives

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In his five-decade career, John Prine never had a hit record. But the country-folk singer earned reverence from fellow troubadour­s—Bob Dylan, Kris Kristoffer­son, and Bruce Springstee­n were among his fans—and a reputation as one of America’s most keeneyed songsmiths. With simple language and sparse lines, Prine could etch memorable characters and speak to universal emotions. Among the former were the drug-addicted Vietnam War vet in “Sam Stone,” the unfulfille­d housewife in “Angel From Montgomery,” and the forgotten old couple in “Hello in There”— acknowledg­ed classics Prine wrote by his early 20s. Dylan called the musician’s work “pure Proustian existentia­lism,” though the freewheeli­ng Prine was more often compared to Mark Twain for his mordant humor and homespun profundity. “What I was writing about was real plain stuff that I wasn’t sure was going to be interestin­g to other people,” said Prine, who died of complicati­ons from Covid-19. “But I guess it was.”

He was born in a Chicago suburb, where his father, William, “was a tool and die maker and the president of the local steelworke­rs union,” said Rolling Stone. William was also a transplant­ed Kentuckian who raised his four sons on

John Prine

Hank Williams and Jimmie Rodgers. A poor student with a “restless imaginatio­n,” Prine started writing songs as a teenager. After serving as an Army mechanic in Germany, Prine became a postman, dreaming up lyrics while delivering letters in the Chicago suburbs. He built a following in folk clubs, getting boosts from movie critic Roger Ebert, who wrote an admiring column (“After a song or two, even the drunks in the room begin to listen to his lyrics”), and Kristoffer­son, who helped Prine land a deal with Atlantic Records. Prine “turned out records at a brisk pace” throughout the 1970s, said NPR.com. After moving to Nashville, he slowed his output in later years, especially after being operated on for stage 4 neck cancer in 1998—surgery that changed both his appearance and his voice. Formerly “something of a hellraiser,” he settled down after marrying for the third time and becoming a father at age 48, said The Guardian (U.K.). In a late-career twist, Prine achieved the biggest success of his career with the 2018 album The Tree of Forgivenes­s, which reached No. 5 on the pop chart. “I gotta say, there’s no better feeling than having a killer song in your pocket,” he said last year, “and you’re the only one in the world who’s heard it.”

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