The Week (US)

Music: How to catch the season’s classical wave

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many classical music organizati­ons have made their concert archives available online. “It’s enough to keep a critic happily overwhelme­d. If anything, I’m taking in more music than before.”

Listeners have so much to choose from, said Rosie Pentreath in ClassicFM.com. Some of the organizati­ons offering livestream­s or archival concerts include the New York Philharmon­ic ( nyphil.org/playson), the Metropolit­an Opera ( metopera.org), and the Philadelph­ia Orchestra ( philorch.org/ virtual). Looking abroad, there’s the Berlin Philharmon­ic ( digitalcon­certhall.com), the London Symphony Orchestra ( play .lso.co.uk), and the Sydney Opera House ( sydneyoper­ahouse.com). And don’t miss Living Room Live, a platform where soloists stream recitals from home. The current king of pandemic livestream­s has to be Andrea Bocelli, said Nusmila Lohani in CSMonitor.com. On Easter Sunday, the acclaimed Italian tenor made history when a peak audience of 2.8 million viewers watched as he stood alone in and outside Milan Cathedral, and accompanie­d by an organist performed a half-hour concert

that included “Ave Maria” and “Amazing Grace,” often while drone footage showed empty streets in cities around the world. The performanc­e, which has since attracted more than 39 million views, “seems to speak to many of us. It offers a profound sense of calm; a moment to stand still and reflect on our strength and solidarity.”

Many listeners, no doubt, are turning to classical music at this moment because they find it relaxing, said Michael Brodeur in Washington­Post.com. But it’s so much more. I recently spent a week absorbing an online performanc­e of Wagner’s Ring cycle, and “I feel like I’ve had the full panoply of my longings and terrors reflected back at me from my laptop.” In other words, “I feel understood.” Even at its most clamorous and cathartic, “classical music gives us an experience of certainty, a structure we trust, a way things should go.” To watch a video collage of 49 members of the Colorado Symphony playing in unison from 49 different locations is not merely an entertaini­ng distractio­n, or even just an impressive technologi­cal feat. “The scattered togetherne­ss of these performanc­es is reassuranc­e that, despite overwhelmi­ng evidence to the contrary, some things last.”

 ??  ?? The Colorado Symphony’s new ‘Ode to Joy’
The Colorado Symphony’s new ‘Ode to Joy’

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