The Week (US)

Totally Under Control

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Filmmaker Alex Gibney “has a bloodhound’s nose for corruption and failure,” said Justin Chang in the Los Angeles Times. His latest film is a chronicle of America’s disastrous response to the Covid-19 pandemic that becomes a devastatin­g indictment of President Trump. But “there are no cheap shots here,” just an accumulati­on of evidence that grows “thoroughly infuriatin­g” as we see how easily the bulk of America’s deaths and job losses could have been avoided. Working in secrecy over recent months, Gibney and two co-directors gathered firsthand testimony from government scientists and health-care officials to offer a forensic account of a slow-motion tragedy, said

Leah Greenblatt in Entertainm­ent Weekly. Some speakers get emotional, including a 2016 Trump supporter and manufactur­er frustrated by how many times the Trump team turned down his offer of N95 masks. A former volunteer on Jared Kushner’s medical-supply task force says the team was so inexperien­ced, it secured not a single shipment. Because the film’s message is “fiercely partisan,” Totally Under Control “will be cheered or deplored accordingl­y,” said Joe Morgenster­n in The Wall Street Journal. But however harsh its judgments, the movie’s most shocking scenes are the ones showing Americans attacking one another over the wearing of masks. In those moments, the film functions “not as a polemic but a mirror,” and “the picture isn’t pretty.” ( In select theaters or from $4 on demand; coming to Hulu Oct. 20.) Not rated as advertised,” said Ty Burr in The Boston Globe: Not terrible, but “dispiritin­gly generic,” the movie wastes a talented cast on a toothless story about a lovable codger who takes over his grandson’s room, triggering resentment and a volley of pranks. De Niro, Uma Thurman, and young Oakes Fegley are at least pros, while Christophe­r Walken, playing a sidekick coot, gives his lines “a delightful­ly weird spin.” ( In select theaters) PG

Time

When Fox Rich’s husband was sentenced to 60 years in prison for bank robbery, the Louisiana mother of six started recording video diaries of the family to share with him. With those home videos laced throughout, the collage-like documentar­y that director Garrett Bradley has made about the family “feels like a poem or a prayer,” said Katie Walsh in the Chicago Tribune. Rich is a force; “you get the sense she could move a mountain if she put her mind to it.” (In select theaters or on Amazon Prime) PG-13

Yellow Rose

Diane Paragas’ intimate Texas drama offers “a universal tale of hope,” said Kate Erbland in IndieWire.com. Broadway’s Eva Noblezada stars as Rose, an undocument­ed Filipino teen who dreams of becoming a country singer but first must find a way to survive after seeing her mother dragged away by ICE agents. “Never sentimenta­l or maudlin,” Yellow Rose “feels driven by a deep respect for the true-life stories that inspired it.” (In select theaters) PG-13

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