The Week (US)

She Come by It Natural: Dolly Parton and the Women Who Lived Her Songs

- By Sarah Smarsh

(Scribner, $22)

“This book is a kind of a reclamatio­n project,” said Lorraine Berry in the Los Angeles Times. Not that its subject, Dolly Parton, requires special pleading: The country icon inspires adulation among people of widely divided classes, races, and political affiliatio­ns, and many fans before Sarah Smarsh have paid her tribute. But Smarsh, who wrote about her own Kansas farming family in the best-selling memoir Heartland, makes an additional claim for Parton’s appeal: that she embodies a type of working-class feminism that doesn’t use the term but walks the walk. “This signature Parton trifecta—eyebrow-raising tight clothes, generosity of heart, and a take-nocrap attitude,” she writes, “is an overlooked, unnamed sort of feminism I recognize in the hard-luck women who raised me.”

“Making reluctant feminists out of famous women tends to be a task more arduous than fruitful,” said Lauren Michele Jackson in The New Yorker. But Smarsh mostly pulls it off. Parton, who grew up in a large, poor Tennessee family, writes songs about the resilient women she knew then. Success came early: a Grand Ole Opry performanc­e at 13, a record deal at 19, a TV gig at 20. But that show’s host was controllin­g, and Smarsh “finds a feminist origin story” in Parton’s 1973 decision to finally cut ties. Parton has since performed a balancing act, speaking to women’s concerns while politely declining a feminist label. Smash imagines a type of urbane woman who scoffs at Parton’s hypercoiff­ed femininity. But there’s no need. “Resentment has never been part of the Parton ensemble.”

Parton has become more outspoken lately, said Emily Choate in the Chattanoog­a, Tenn., Times Free Press. In August, she thrilled some fans and angered others by expressing solidarity with Black Lives Matter. Parton has never lacked conviction­s, having displayed through her charitable work an “unshakable commitment” to her Smoky Mountains homeland. Smarsh, wisely, lets Dolly be more than a symbol or avatar. “Like us, she’s a fallible human being, learning on the fly.”

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