The Week (US)

A Quiet Place Part II

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The sequel to John Krasinski’s surprise 2018 horror hit “doesn’t do anything fancy, nor does it need to,” said Brian Truitt in USA Today. We moviegoers want “snarling, nightmaris­h monsters that fill up a big screen,” and the actor turned director has brought back his particular breed of alien predators for a holiday weekend release that “works as one heck of a chilling fix for audiences dipping their toes back into reopened cinemas.” The underlying premise remains the same: A young family is trying to survive in a post-apocalypti­c world prowled by large creatures that attack at the slightest sound. Meanwhile, Krasinski’s character is only seen now in flashback.

But as a director he again proves “a master of ratcheting up tension,” and his wife and co-star, Emily Blunt, is “still the second coming of Sigourney Weaver.” Strangely, though, Part II sidelines Blunt’s shotgunwie­lding mother of three when it sends the oldest child on a mission, said A.A. Dowd in AVClub.com. That does make room for more of Cillian Murphy as a recluse who provides a refuge for the Abbotts and suggests to them that humans are monsters, too. “Yet Part II barely scratches the surface of that idea.” Even so, “a killer hook is a killer hook,” said Justin Chang in the Los Angeles Times. And deaf actress Millicent Simmonds, returning as a resourcefu­l teenager, is remarkable as the franchise’s new hero. “Her mesmerizin­g presence sustains you,” even when Part II “registers as a somewhat muted echo.” (In theaters only) PG-13

AVClub.com. The “brisk, brutal” culture-war thriller follows an ultrawealt­hy white family that is throwing a swanky wedding reception in Mexico City when armed rioters scale the estate walls. The vision of class revolution that follows is “disturbing, not inspiring.” But whatever your perspectiv­e, New Order “works as a gripping apocalypti­c horror movie.” (In theaters only) R

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