The Week (US)

The Black Keys

Dropout Boogie ★★★☆

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“The riffs come fast and furious” on the Black Keys’ “superb” 11th album, said Hal Horowitz in American Songwriter. Fame and fortune haven’t dulled the arena-packing duo from Akron, Ohio. Singer-guitarist Dan Auerbach and drummer Patrick Carney paid tribute to their influences with last year’s Delta Kream, a collection of raw hill-country blues covers, and Dropout Boogie finds them once more “wading into the banks of the muddy Mississipp­i.” This stripped-down set of blues rock “feels like it’s live in some juke joint”—partly because Auerbach “sings with soul and zero pretense.” The album’s collaborat­ive efforts are “uniformly excellent,” said Joe Gross in Rolling Stone. Garage-rock savant Greg Cartwright co-wrote the lead single, “Wild Child,” while ZZ Top’s Billy Gibbons delivers a “perfectly Top-tastic” guitar solo on “Good Love.” The bulk of Dropout Boogie, though, simply sounds like “gloriously oldschool Keys.” While rock “barely exists in the pop conversati­on it once dominated,” this pair’s ongoing popularity makes its own case: “Their rock ’n’ roll minimalism is more than enough.”

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