The Week (US)

Best books…chosen by Gabriel Byrne

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Gabriel Byrne, the celebrated Irish-born screen and stage actor, will be appearing on Broadway this month in Walking With Ghosts, an acclaimed one-man show based on his recent memoir of the same name.

The Wind in the Willows by Kenneth

Grahame (1908). A classic that depicts an ordered universe—despite the threat of the weasels in the Wild Wood. Love, home, and community are what matter most, and Mr. Toad, one of the book’s numerous nonhuman characters, learns that the pursuit of material things is a hollow ambition.

Treasure Island by Robert Louis Stevenson (1883). A young man begins a life of adventure in the world of adults on the sea, and is befriended by one of the most charismati­c characters in all literature, the pirate Long John Silver—a villain drawn with humor and humanity by Robert Louis Stevenson. Jim Hawkins is the hero in all of us.

Don Quixote by Miguel de Cervantes (1615). My introducti­on to Spanish literature at university. Don Quixote is full of pathos, wit, and comedy, and anticipate­s the language of cinema: the road journey, the mismatched duo, flashbacks, and a sympatheti­c hero overcoming obstacles in pursuit of a dream.

Strumpet City by James Plunkett (1969). Set in Dublin in 1913, when the city’s trade unionist workers demanded better working conditions and were locked out by its biggest employers, Plunkett’s sweeping historical novel is written with compassion and a restrained rage, bringing together a broad cast of characters while illuminati­ng a deeply unjust economic system.

A People’s History of the United States by Howard Zinn (1980). What passes for history is often mythology, in which complexiti­es are reduced to a simplistic narrative of heroes and villains. A truthful rendering of the past is essential for an understand­ing of the present, and this volume tells the story of America from the point of view of its people.

At Swim-Two-Birds by Flann O’Brien (1939). This metafictio­nal novel, widely considered O’Brien’s masterpiec­e, brilliantl­y mixes philosophy and surrealism, delighting in the subversion of language into hilarious narrative. With James Joyce and Samuel Beckett, O’Brien forms the holy trinity of great Irish writers.

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