The Week (US)

Cocaine Bear

(R) ★★★★ A wild beast overindulg­es in Colombian snow.

- Directed by Elizabeth Banks

If you’ve seen the trailer, “you’ve already gotten the joke,” said Michael O’Sullivan in The Washington Post. Cocaine Bear riffs on the bizarre true story of a black bear in Georgia that in 1985 stumbled upon and imbibed 35 pounds of the stimulant that had been dropped from a smuggler’s plane. Elizabeth Banks’ black comedy uses an entirely computer-generated creature to depict the mayhem the jacked omnivore might have created. But while the creature’s powdered-snout rampaging proves “funny, demented, and hyperviole­nt,” the movie “goes into snoring hibernatio­n” whenever it focuses on its human characters. Banks “has a clean way with messy action,” said Justin Chang in the Los Angeles Times. The movie’s best scene is a high-speed ambulance chase, set to a Depeche Mode song, that delivers “jaw-dropping” gore. Banks also keeps viewers guessing as to which characters live and which die, “though you can bet the latter will include the idiot backing away toward a convenient­ly positioned grab-and-go window.” Unfortunat­ely, the bloody caper turns “unrewardin­gly soft” in its final act. None of the characters is interestin­g to begin with, said Kyle Smith in The Wall Street Journal. Even with a cast that includes Keri Russell, Margo Martindale, and the late Ray Liotta, just about everyone here seems to be doing nothing but “wandering around waiting to take their turns becoming lunch.” Cocaine Bear tips its hat at the gonzo midnight-movie genre of the ’70s, but “anyone who tries to watch it after 10 p.m. is likely to fall asleep.” (In theaters only)

 ?? ?? Feeding a brick-size craving
Feeding a brick-size craving

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