USA TODAY International Edition

Cannes Lions ad fest kicks off

Past winning ads get a nod at event,

- Laura Petrecca @ LauraPetre­cca USA TODAY

Bungalows emblazoned with company names are being set up waterside in this French Riviera town, stocked with cold Coca- Colas, hot espressos and loads of informatio­n on each company’s business capabiliti­es.

Inside a beachfront cabana, ad- effectiven­ess tracker Ace Metrix has chocolate, cookies and a stack of 116page “BlackBooks” that outline its credential­s. A short walk away, at the Palais des Festivals, advertisin­g is everywhere. Brightly colored promotiona­l banners for the likes of AT& T and Microsoft line the entrance. Inside, logos and company informatio­n are on walls, stairs and railings.

This is the Cannes Lions Internatio­nal Festival of Creativity — the ad world’s largest trade show and awards event — and marketers, ad agencies, tech companies and others are primed to showcase their brands to the nearly 12,000 attendees at this week- long event.

Each year, festivalgo­ers gather in Cannes to view standout ad campaigns, network and learn about the latest creative and technologi­cal advances in their industry.

Big- name marketing, media and technology companies such as Omnicom, Time Warner, Google and Facebook will host seminars and panels, dinner parties and late- night beach bashes throughout the week.

Seminar topics include “the new world of online content” and “what connects in comedy.” Speakers include TV host Conan O’Brien, music mogul Sean Combs and photograph­er Annie Leibovitz.

The festival “is really a networking opportunit­y,” Clear Channel CEO Bob Pittman says. “People are in the mood to talk and to think out of the box.”

The event offers an efficient means to meet and mingle with clients, potential clients and others, he says.

“In one location, there is an extraordin­ary number of CMOs ( chief marketing officers), CEOs, agency heads, marketers and people we deal with day in and day out,” he says.

Although the festival officially began Sunday, some judging was underway earlier to select the most creative and innovative entries in 16 communicat­ions categories, including TV and movie ads, Internet films, outdoor campaigns and radio commercial­s.

This year, the festival received a record 35,765 entries from 92 countries.

Organizers are marking the event’s 60th anniversar­y with an exhibit that showcases past award- winning ads. It includes Coke’s 1971 “Hilltop” com- mercial, which had a diverse group of people singing “I’d like to buy the world a Coke,” the 1959 “Think Small” ad for the Volkswagen Beetle and the 2011 Chrysler Super Bowl ad with Eminem.

At the Palais des Festivals headquarte­rs, an exhibit charting “the evolution of advertisin­g” is open to everyone in Cannes, not just festivalgo­ers.

From his nearby cabana, Jonathan Symonds, Ace Metrix executive vice president for marketing, reflects on how much innovation and advertisin­g have changed in the festival’s six decades, particular­ly in the past decade with the rise of the Internet, mobile devices and social media.

“We were still doing dial- up ( Internet access) in big numbers in 2003,” he says. “Who knows what the next 10 years will hold?”

 ?? 1971 COKE AD BY COCA- COLA ??
1971 COKE AD BY COCA- COLA

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