USA TODAY International Edition

MODERN JOURNALISM FAILS TASTE TEST

Cronkite’s ‘ get it right’ coverage of Kennedy exemplifie­d ethical reporting

- Timothy M. Gay and Susan Bennett Timothy M. Gay is the author of As signment to Hell, about Cronkite and four other World War II correspond­ents. Susan Bennett is the co- author of President Kennedy Has Been Shot. Both were interviewe­d for One PM Central

Friday, Nov. 22, 1963, was such a slow news day that producers at CBS Evening News in New York started thumbing through evergreen files, searching for stories in the can that could fill up that evening’s half- hour telecast. Several reporters and writers took off for obligatory T- G- I- F lunches.

Anchorman and managing editor Walter Cronkite, then 47, was trying to diet, so he sat at his desk unhappily munching the cottage cheese and pineapple that his wife, Betsy, had packed that morning. Cronkite was glancing at internatio­nal dispatches when a five- bell alarm suddenly erupted on the Teletype machine.

“THREE SHOTS WERE FIRED AT PRESIDENT KENNEDY’S MOTORCADE TODAY IN DOWNTOWN DALLAS,” shouted the bulletin from United Press Internatio­nal. Cronkite had spent more than a decade as a UPI reporter. He had devoted his career to the credo of wire service journalism: Get it fast but get it right; ask tough questions; take nothing for granted; stay ahead of the competitio­n.

Amid the pandemoniu­m, Cronkite swung his team into action, demanding to go on the air live as quickly as possible. With informatio­n flooding into the newsroom, Cronkite made it categorica­lly clear that he would not broadcast rumor or conjecture. Everything said on the air had to be doubly and triply confirmed by credible sources. Cronkite and CBS were hellbent on outhustlin­g NBC and ABC — but not at the expense of messing up a momentous story.

GRACE UNDER PRESSURE

As captured in JFK: One PM Central Standard Time, the documentar­y narrated by George Clooney that airs Wednesday on PBS, the events that transpired in the CBS newsroom that afternoon and weekend 50 years ago would come to define journalist­ic grace under pressure. They would also indelibly define Cronkite, transformi­ng him into a national icon, the rock on which Americans could rely in moments of crisis.

One PM Central Standard Time ought to be required viewing in all newsrooms. Much of the news media’s coverage of such recent tragedies as the Boston Marathon bombing and the Washington Navy Yard shooting has been execrable. Modern news organizati­ons have technologi­cal resources to cover, in real time, unfolding crises in ways that Cronkite and his 1963 cohorts could only have imagined. Yet today’s journalist­s routinely desecrate Cronkite’s creed.

They get it fast, but too frequently, they don’t get it right. They air rank speculatio­n, announcing “scoops” that prove to be demonstrab­ly and, in certain cases, maliciousl­y false. Two networks covering the Navy Yard shooting erroneousl­y identified the name of the assailant. The wronged man was later compelled to say, “Verify before you vilify.” Various outlets compounded the hysteria by inflating the number of shooters and misidentif­ying the weapons involved. In the Boston bombing, multiple organizati­ons reported phantom arrests and mischaract­erized an unrelated fire as a “third explosion.”

SOCIAL MEDIA HEARSAY

Too often in today’s tragedies, stories are triggered by social media hearsay and unconfirme­d chatter on police scanners. Cronkite knew that breaking stories always take confusing turns; reporters are not infallible. Before endless and instantane­ous news cycles, conscienti­ous journalist­s waited until facts were confirmed before reporting them. Now, for too many outlets, the modus operandi is simply “get it first — and worry about correcting it later.”

Crisis coverage has gotten so gruesome, viewers don’t have to wait for The Daily Show with Jon Stewart to skewer it. It parodies itself.

At one point in the Navy Yard saga, a broadcast reporter stood at an intersecti­on, pointing out random objects that had nothing to do with helping viewers understand the tragedy. Had it been possible a half- century ago for CBS to go live from Dallas’ Parkland Memorial Hospital, its managing editor would have insisted his reporter impart news, not blather on about whatever happened to be in the sight of the camera.

The famous tear that Cronkite brushed away as, removing his glasses, he announced President Kennedy’s death could serve as a commentary on modern reportage. Technology has made journalism so intrusive and “in the moment” that it has erased the boundaries of ethics and good taste. Today’s journalist­s need to renew their vow to get it right — from the first.

Contempora­ry reporters don’t have to eat cottage cheese to emulate Cronkite. But they would do well to exercise his judgment and restraint.

 ?? CBS PHOTO ARCHIVE ?? Walter Cronkite, in a moment of undisguise­d emotion, having just announced the death of President John F. Kennedy on Nov. 22, 1963.
CBS PHOTO ARCHIVE Walter Cronkite, in a moment of undisguise­d emotion, having just announced the death of President John F. Kennedy on Nov. 22, 1963.

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