USA TODAY International Edition

‘ Mudbound’ could be Oscars- bound in 2018

Racial drama earned ovations, could make history with next year’s awards

- Patrick Ryan

CITY, The Oscars PARK UTAH aren’t until Feb. 26, but next year’s awards already have their first major contender.

Period drama Mudbound was rapturousl­y received at the recently ended Sundance Film Festival, where its world premiere was greeted with two standing ovations as the credits rolled and director Dee Rees took the stage. Featuring a star- studded cast led by Carey Mulligan, Garrett Hedlund, Mary J. Blige and Jason Clarke, the post- World War II epic follows two families in rural Mississipp­i grappling with racism, forbidden love and the effects of combat. “I saw this as being a story of two families with amazing women,” Rees said. “Basically, I wanted to juxtapose the battle at home vs. the battle abroad, with the battle at home sometimes being even bloodier than the battle abroad.” Netflix has acquired

Mudbound for $ 12.5 million, the biggest deal at this year’s festival.

Festival- goers swiftly took to Twitter after the first screening with glowing reviews, calling the film “astounding,” “brutal” and “pure cinema.” In Sundance tradition, many were quick to dub

Mudbound the starting pistol to the 2018 Oscars race, while others saw similariti­es to the ecstatic response The Birth of a Nation received last year, before the drama fell out of favor in light of filmmaker Nate Parker’s resurfaced rape allegation­s. ( He was tried and acquitted in 2001.)

But just how big a contender could Mudbound be? If its slowbuildi­ng pace and understate­d storytelli­ng aren’t turnoffs for voters, it could very well land Oscar nomination­s for best picture, cinematogr­aphy and adapted screenplay. ( It’s based on Hillary Jordan’s 2008 novel.) A best director nod would be monumental for budding filmmaker Rees ( Pa

riah), who could become the first black woman nominated in the category and only the fifth woman in history. The last nominee was Kathryn Bigelow for 2009’ s The Hurt Locker, the first and only woman to win the directing Oscar.

Across acting categories, the drama has no shortage of possibilit­ies with its stacked ensemble of veterans and newcomers. The previously nominated Mulligan could eke out a nod for her unflinchin­g turn as a disgruntle­d housewife, as could Hedlund, who does career- best work as a hard- drinking veteran who stands up to Ku Klux Klan brutality. More likely nominees are R& B singer Blige — nuanced in her first big- screen dramatic role as a shrewd mother and midwife — and Straight Outta Compton’s Jason Mitchell, whose performanc­e as a returning soldier assailed by racial discrimina­tion and violence is gut- wrenching.

 ?? PHOTOS BY STEVE DIETL ?? Racial tensions drive a wedge between Jamie ( Garrett Hedlund), Florence ( Mary J. Blige) and Hap ( Rob Morgan) in Mudbound.
PHOTOS BY STEVE DIETL Racial tensions drive a wedge between Jamie ( Garrett Hedlund), Florence ( Mary J. Blige) and Hap ( Rob Morgan) in Mudbound.
 ??  ?? Jamie ( Hedlund) and Ronsel ( Jason Mitchell) are returning WWII vets who have each others’ backs in rural Mississipp­i.
Jamie ( Hedlund) and Ronsel ( Jason Mitchell) are returning WWII vets who have each others’ backs in rural Mississipp­i.
 ?? JACK DEMPSEY, INVISION, FOR CHASE SAPPHIRE ?? Early buzz has Dee Rees earning a best- director Oscars nod in 2018. She’d be the first black woman ever nominated.
JACK DEMPSEY, INVISION, FOR CHASE SAPPHIRE Early buzz has Dee Rees earning a best- director Oscars nod in 2018. She’d be the first black woman ever nominated.

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