USA TODAY International Edition

Grandfathe­r inspires Cedric’s new crime novel

- Bryan Alexander

LOS ANGELES – Even before he became one of the “The Original Kings of Comedy,” comedian and actor Cedric the Entertaine­r was possessed thinking about his exceptiona­lly original grandfathe­r, Floyd “Babe” Boyce.

The dapper- dressing World War II veteran Boyce – a gambler with a gift of gab and a tough- as- nails boxer - died years before Cedric was born. But Boyce’s grown children, including Cedric’s mother Rosetta, regaled him with stories of his grandfathe­r’s life.

“I started getting these dreams about my grandfathe­r, where he would say to things to me, I even dreamed what he smelled like,” he says. “I would write down this world I could see so vividly.”

Cedric, who stars in the CBS comedy “The Neighborho­od,” pays homage to his grandfathe­r in his first novel, “Flipping Boxcars,” out now from Harper Collins. The book is written under his given name Cedric Kyles and cowritten by Alan Eisenstock.

“I have always wanted to tell this story,” says Cedric, 59, speaking during a break recording the “Flipping Boxcar” audiobook in a Los Angeles sound studio.

Cedric makes clear his love letter to 1940s crime novels through his settting in his family’s riverboat hometown of Caruthersv­ille, Missouri ( current population 5,399). The story is entirely fictional, except for the core of the suave expert gambler main character Pops. That is the grandfathe­r he knew from a single photograph and countless stories.

Like Pops, Boyce owned a restaurant with his loving wife and extended his entreprene­urial skills to everything from bootleggin­g to running an illegal gambling operation out of the back of a Sportsman Hall. Boyce was such a celebrated dice player “his face would be on flyers placed around town,” Cedric says. “Gambling back then was marketed as a spectator event and my grandfathe­r was a draw. He was a serious gambler who loved craps.”

“Flipping Boxcars,” referring to a losing dice roll of 12, is one of the many gambling terms from the era in the novel, so frequent that there is a glossary in the back. Pops loses his life savings and farmland in a stunning defeat at the table, forcing him to partner up with the thuggish Polish arm of a Chicago crime syndicate. Boyce has 72 hours over the Fourth of July weekend to raise $ 54,000 to buy 3,000 cases of untaxed bourbon arriving by railroad. All to claw back the money he lost and save his family.

“We felt we needed bigger gangsters with higher stakes to advance us outside of Caruthersv­ille,” says Cedric, speaking of working with Eisenstock. Both authors loved the idea of setting the story around the boiling summer temperatur­es and the town’s holiday celebratio­n.

“Fourth of July was a big thing in Caruthersv­ille, for real. To have things

going down in that short span, it’s like now the pressure is on, you got to keep it tight but right.”

His grandfathe­r Boyce lost his family’s savings during a major night of gambling, with catastroph­ic effects on his marriage, family and life.

“In the real story, he lost my grandmothe­r’s land, and then she left him. He lost his muse and this great life he was living and just couldn’t get it back. My mother said within a year, he got sick and died.”

By writing the novel with a different ending, Cedric gave his grandfathe­r a new life trajectory through Pops.

“In most cases, a character who lives life on the edge always loses. But it’s like, let this man win, because he lives in this beautiful part of the imaginatio­n, filled with style and elegance and hustle and grit, all these things we all wish we had in us. I can’t let that hero die the way he actually died.”

Cedric is open to the prospect of the evocative “Flipping Boxcars” being made into a TV series or movie. He’s earned solid reviews with Publisher’s Weekly calling the rookie novel “a promising fiction debut” with “stirring gambling scenes, strong characteri­zations, and vivid prose.”

More importantl­y, he’s sure his grandfathe­r is going to love this story landing on bookshelve­s.

“Yeah, he’s definitely going to be beaming on this. He’ll walk in this light with great spirit and joy,” says Cedric, who is sure Boyce will have some critiques, even about the fictional criminal elements.

“He’ll love those parts. But, oh God, I can imagine. He’ll be like, ‘ It didn’t happen like that. It all went down like this,’” says Cedric, breaking into laughter. “And I’ll have to tell him: ‘ I made that part up, That didn’t happen.’ ”

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