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Folk-music icon Doc Watson, 89, dies after a fall, surgery last week

Doc Watson ‘reinvented’ the role of the guitar

- By Brian Mansfield Special for USA TODAY

Known for his finger- and flat-picking styles, Watson was among the most influentia­l acoustic guitarists.

Doc Watson played the acoustic guitar with such pure precision that Bob Dylan once compared his picking to “water running.”

The folk-music icon, 89, died Tuesday after a fall last week at his home in Deep Gap, N.C., and

Appreciati­on

subsequent colon surgery.

Blind from infancy, Watson grew up playing harmonica and a homemade banjo but learned guitar after his father bought him a $12 Stella acoustic when he was 13. Born Arthel Lane Watson, he picked up the nickname “Doc” at the suggestion of an audience member at a radio broadcast when he was in his teens.

Though Watson was instrument­al in developing the canon for 1960s folk musicians with his recordings of traditiona­l tunes like Deep River Blues and Shady Grove, he didn’t play just the music of the Appalachia­n Mountains. Before folklorist and musician Ralph Rinzler first recorded him backing old-time banjo player Clarence Ashley in 1960, he worked with a local

dance band, playing honkytonk, rockabilly, pop and square-dance tunes.

“His adaptation­s of fiddle tunes to the flattop guitar virtually reinvented the instrument’s role in bluegrass,” journalist John Milward wrote in liner notes for the 1999 compilatio­n The Best of Doc Watson 19641968, which included Watson’s versions of the Eddy Arnold country hit Tennessee Stud and Jimmie Rodgers’ My Rough and Rowdy Ways.

A master of both fingerpick­ing and flatpickin­g styles, Watson was, along with Merle Travis and Chet Atkins, one of the most influentia­l acoustic guitarists of the ’50s and ’60s. He played the 1963 and 1964 Newport Folk Festivals and became popular on the folk circuit, especially in New York and California.

“He is single-handedly responsibl­e for the extraordin­ary increase in acoustic flatpickin­g and fingerpick­ing performanc­e,” Rinzler once wrote. “His flatpickin­g style has no precedent in early country music history.”

His appearance on the Nitty Gritty Dirt Band’s 1972 Will the Circle Be Unbroken triple-album set took him to a wider audience, including fans of country, bluegrass and blues.

“There may not be a serious, committed Baby Boomer alive who didn’t at some point in his or her youth try to spend a few minutes at least trying to learn to pick a guitar like Doc Watson,” President Clinton said when presenting Watson his National Medal of the Arts in 1997.

Watson also won seven Grammys over a 33-year period and received the Grammy lifetime achievemen­t award in 2004.

For many years, Watson toured with his son, Merle Watson, who died in a tractor accident in 1985. Merle Watson’s memory is honored by MerleFest, an annual North Carolina roots-music festival the elder Watson hosted.

Held on the last weekend in April since 1988, MerleFest draws more than 75,000 to Wilkes Community College in Wilkesboro, N.C.

 ?? Getty Images ?? Doc Watson
Getty Images Doc Watson
 ?? By Lauren Carroll, AP ?? May 2011: Doc Watson performs at MerleFest in Wilkesboro, N.C., the annual roots-music celebratio­n Watson hosted since 1988. The festival is named after his son, Merle Watson, who died in 1985.
By Lauren Carroll, AP May 2011: Doc Watson performs at MerleFest in Wilkesboro, N.C., the annual roots-music celebratio­n Watson hosted since 1988. The festival is named after his son, Merle Watson, who died in 1985.

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