USA TODAY US Edition

Prime-time viewing shifts from TVS to mobile gadgets

More viewers choose to watch on gadgets even when a TV is available

- By Edward C. Baig and Mike Snider USA TODAY

Study shows more consumers forgo TVs and use phones, tablets to watch prime-time shows.

His kids might commandeer the TV before bedtime, but online game designer John Comes still gets his prime-time fix. Just on a smaller screen.

Using his iPad, he can watch content from traditiona­l TV and cable channels such as ABC, TBS and HBO, as well as newer options such as Hulu and Netflix. As for the family’s 46-inch HDTV at their Seattle area home, “I watch it when (they) are asleep for items I can't watch on my iPad,” says Comes, 37.

Internet video is changing the face of prime time. Online junkies are no longer turning to cyberspace just to watch cute clips of kids, pets and movie trailers on YouTube.

New research made available exclusivel­y to USA TODAY shows how consumers are using tablets, smartphone­s, game consoles — and, yes, Internet-connected television­s — to devour live sports, network TV and cable fare. And most of this is happening during the same prime-time

hours that were dominated decades ago by the major networks’ over-the-air TV broadcasts.

Meet the new prime time. Same as the old prime time. What is changing is that smaller screens on mobile devices are being used at home more than ever expected. And, surprising­ly, people are watching longer and longer videos on their mobile devices, even the smallest screens.

This new cyber audience that has grown up with on-demand video and DVR time-shifting scorns appointmen­t TV in favor of a user-generated viewing experience in which they are in control. “People are consuming their content at the time they prefer, on the devices they prefer and increasing­ly in the context they prefer,” says Jay Fulcher, CEO of Ooyala, the video management company for networks, broadcaste­rs and content providers that shared its user consumptio­n data with USA TODAY.

The newfangled prime time extends beyond weeknights. To the digital viewer, Saturday night is increasing­ly a prime viewing time. Those watching aren’t necessaril­y glued to the 50-inch television in the living room, and if they are, they still often peek at the tablet on their lap.

Video viewing on tablets rises in the morning, tails off midday, then surges again in the evening, according to first-quarter data compiled by Ooyala. On a typical weekday, one-third of tablet video-watching occurs from 7 to 11 p.m., with only about 17% of computer video viewing taking place at that time.

Viewers on connected TVS watch nearly onethird more video from 4 to 11 p.m. on Saturdays than on a typical weekday evening. Ooyala’s takeaway: Programmer­s should remember this when they plan content and monetizati­on strategies.

Whenever and wherever you are

ESPN is among the more than 1,000 global clients that rely on Ooyala to help power their online video, and it takes the findings to heart. If you already subscribe to ESPN through the likes of Time Warner, Comcast, Verizon or Bright House Networks, you can take advantage of the free Watch ESPN app on an iPad to watch the network’s sports programmin­g on the go.

“The way we look at this is about trying to serve sports fans whenever and wherever they are,” says Damon Phillips, who heads ESPN’s digital/ Web video content strategies and product developmen­t. To Phillips, that means delivering programmin­g, often live sporting events, to the “best available screen.”

During the workday, he says, that’s likely the computer at your office. If you’re commuting, it could be an iPad or smartphone. But even at home, it might not be the traditiona­l TV, especially if you lose the battle over the remote control to your spouse or your kids. “We call it subways and sofas,” says Ooyala’s Fulcher.

The trend of mobile devices serving up primetime video at home is corroborat­ed by a survey from research consulting firm Frank N. Magid Associates. More than half (52%) of all smartphone video is viewed at home, according to its survey of 1,010 adults who watch video weekly on smartphone­s, tablets or Internet-connected TVs. The peak viewing happens from 8 to 11 p.m.

“Mobile isn’t just mobile anymore. It is happening in the house,” says Doron Wesly, head of market strategy for online advertisin­g company Tremor Video, which commission­ed the Magid survey. “When they are on their couch or watching something else, they are actually watching video as well on their mobile device.”

While the in-home TV and computer remain the most popular devices for watching video content, more than half (56%) of people with online access say they watch video on a mobile phone at least once a month and 28% at least once a day.

Another mobile-viewing shift: Smartphone viewers have historical­ly gravitated toward shortform content, but long-form video — full-length TV shows and movies — now accounts for nearly 40% of smartphone video viewing every week, Magid found. In a similar finding, Ooyala found that videos lasting longer than 10 minutes accounted for half the total time folks spent watching online video. And video viewing on tablets jumped 26% after Apple released the latest iPad in March. In all, iPads account for 95% of all tablet viewing, Ooyala says.

Smart thinking

All this runs counter to what we thought Internet-connected devices would be used for: snacking on short videos while (mostly) away from the home TV. It also makes the strategies of Netflix, Hulu and YouTube — to create original content for their networks — look smart.

Netflix led the drive to create original content with its resurrecti­on of the acclaimed-but-canceled Fox series Arrested Developmen­t with new episodes scheduled for next year. It has already released Lilyhammer starring Steven Van Zandt ( The Sopranos) and has three other original series in the works.

YouTube is spending $100 million to create up to 100 channels with the likes of Jay-Z and Madonna. Among the upcoming launches is the July 2 debut of K-Town, a reality series based in the Koreatown section of Los Angeles. The show, from actor Tyrese Gibson’s HQ Production­s, will play on the Loud pop-culture channel mastermind­ed by Ben Silverman, former NBC Entertainm­ent president and The Office executive producer.

Across all devices, more than half of YouTube viewing in the U.S. takes place during traditiona­l prime-time evening hours. “In prime-time hours, you’re more inclined to kick back and watch for a while,” says Shiva Rajaraman, a director of product management at YouTube.

Video game entertainm­ent network Machinima, which has one of the most-viewed channels on YouTube, has been adding longer, episodic series, such as zombie action show Bite Me and sci-fi series RCVR, to its steady stream of game demos, reviews and tips videos. More and more viewers are watching content on the iPad and tablets, says CEO Allen DeBevoise.

“The old television model was: You go home and watch TV when they want you to,” he says. “Our model is: You can be anywhere in the world, on any device you want, and we’ll let you watch the content whether it’s on a mobile phone, a tablet, a computer or a connected television.”

The lean-back experience of regular TV com- pared with computers or even smartphone­s is why Alok Ranjan, the founder of ifood.tv, says viewers of the company’s connected TV channels — delivered via Samsung connected TVs, Google TV and Yahoo television platforms or on Roku and Boxee set-top boxes — are likely to watch three to four instructio­nal cooking videos for 15 to 20 minutes. That compares with a website or app viewer willing to devote about five to seven minutes to watch one or two video recipes.

Video snacking still persists on Hulu, and the best Saturday Night Live skits are favorites, says Andy Forssell, senior vice president of content. But Hulu is also investing in long-form programmin­g with the half-hour series Spoilers, a show about movies starring filmmaker Kevin Smith. Its debut is Monday.

A forum for new ideas

Net video is a bit like the independen­t film scene a decade ago, Forssell says, where “a creator has an idea and wanted to get the story told. In traditiona­l TV, that hasn’t (usually) been the case. Here, there’s a chance for that (idea) to bloom.”

As mobile devices become more entrenched, he says, “I think you are seeing the U.S. start to edge toward something like the Japanese situation where you have kids watching a movie on a smartphone 10 feet from a 60-inch TV.”

Ooyala’s Fulcher says, “We see traditiona­l media businesses who didn’t necessaril­y want to embrace this (online video) trend now being motivated to make investment­s and get their state of readiness around reaching consumers more effectivel­y.” And there’s untapped opportunit­y for online video publishers to grow revenue by serving more digital ads, especially on the longer-form content.

Gartner media analyst Mike McGuire agrees. “In terms of advertisin­g, TV is still the king,” he says. “Advertisin­g dollars are increasing­ly social and going online but are fractions of (regular TV).”

More programmin­g and better mobile apps will lead to increases in video viewing. Smartphone users plan to increase consumptio­n by 36% in the next 12 months, tablet users by 32%, Magid found. People with smartphone­s find themselves “folding the smartphone into the media ecosystem in (their) living room,” says Magid senior analyst Andrew Hare.

A smartphone and iPad help Dallas event coordinato­r Mike Duchock keep the peace with his girlfriend. When she wants to watch Grey’s Anatomy on his 50-inch plasma HDTV, he uses his mobile devices. “Just the other night I watched my South Carolina Gamecock baseball game on the Watch ESPN app while I half-watched Glee with (her),” he says. “There have even been occasions where I had one game on my iPad, another on my iPhone, and something else on TV.”

Networks ultimately benefit by making content available in multiple ways. That way viewers don’t have to choose between beloved content and their beloved. “Watching shows on my iPad,” Duchock says, “means we still get to be together, vs. me going to another room to another TV.”

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