USA TODAY US Edition

How to edit and share video

- Jefferson Graham @jeffersong­raham USA TODAY USA TODAY reporter Jefferson Graham is the author of “Video Nation: A DIY Guide to Planning, Shooting and Sharing Great Video.”

Raw clips may work for tornado videos, but a citizen journalist with bigger ambitions needs to know how to edit.

In part 1 of this series, we showed you how to shoot broadcast-quality video on your smartphone with tools like microphone­s, tripods and selfie sticks. With the availabili­ty of smartphone­s and tablets improved built-in cameras, anyone can now be a mobile journalist.

So now what? You want to take your raw clips, trim them, add titles and edit them in a quick masterpiec­e. And now we’ve all got portable computers in our pockets to do this, thanks to the smartphone.

Mobile editing will get the job done with the most basic of edits. I prefer to have the big screen and way more controls of the laptop, so I do most of my work there.

But that’s me. Judd Slivka, who teaches mobile journalism classes at the University of Missouri, has his students do all their shooting and editing on mobile tools to speed up the process. “It cuts 25% of the time it takes to shoot and edit and get it done,” he says.

HOW TO GET THE CLIPS OFF

Before we jump into mobile editing, let’s take a quick minute to figure out where to find our footage, and how to get it off the devices.

On Apple devices, video clips are found in the “Camera Roll,” or “Photo” app, while recent Androids house them in the “Photos” app.

Now say you want to shoot on the iPhone, but edit on the iPad. Or, you want to send your clips to a pal, who’s an editor. Or, you bought a 16 GB iPhone, thinking it would have enough storage, only to realize that 8 GBs of it is taken up with the iOS operating system, and that there’s just no room for your video files. You want to be able to move the files around.

Many think they can email the clips, and that will save the day. Not true. To fit the clips in the email, the resolution will be lowered and it won’t be usable for your presentati­on. One easy solution: a cloud service like Dropbox is a great workaround for anyone with an Apple phone, since there’s a direct Dropbox link in the Photos app. There’s also Apple’s AirDrop for sending files wirelessly from Apple devices. Many Android phones have slots for memory cards so the footage can go direct onto the cards. That’s something the iPhone doesn’t have.

For iPhone and iPad users, Slivka recommends the $59.99 Air Stash drive to his students. This is a wireless device that allows for transferri­ng of files from device to device.

OK, let’s edit:

SYSTEMS TO TRY OUT

Smartphone. Since you’re shooting on the phone, the obvious first choice is to edit there. The limitation­s are the size of the screen — 4 inches to 5.5 inches, and less computing power than a laptop or desktop. But it certainly can be done.

If you have an iPhone, you’ll want to start with Apple’s iMovie, ($4.95), which offers the basics: trimming, adding titles and a voice-over tool. There are many other decent options available now for either an automatic edit — sit back and let the computer do the work — or a more handson, manual approach.

Pinnacle Studio ($7.95) has more controls and choices than iMovie. A new app, Clips Video Editor, (free, Apple, with in-app purchases) is one of the more intuitive of the mobile video editors I’ve found, and promises to get more full-featured later this year. For Android, there aren’t as many serious options. VivaVideo is one of the most popular, while Windows Phones has the new Movie Creator.

The basics of the apps are the same: Open the programs, create a project, add your clips and make adjustment­s. When you’re finished, you can save the file to your Camera Roll, and export it when you plug in your phone to the computer.

Tablet. You can also edit video on tablets such as the iPad, using iMovie again, or one of many other video editors. These include Pinnacle (which looks even better on the bigger screen), Magisto (for more simplistic, automatic edits) or Clips.

Desktop/ laptop. Here’s where you get more power and screen real estate. And it won’t cost you a fortune, as both Apple and Windows have free, entrylevel programs available. Microsoft’s Windows Movie Maker is very simple, while Apple’s iMovie for the desktop is way more advanced.

And both let you do the simple edits, trims, transition­s and open and closes. With iMovie, you can also add what we call B-roll — illustrati­on shots that tell the story. But adding clips is limited.

The best full-service video editor I’ve found at a low price is Adobe’s Premiere Elements, which works with both Windows and Apple, and sells for just under $70. I personally prefer Apple’s Final Cut Pro X for my serious work, which is even more full-featured, quicker and a joy to use. It sells for $299.

Have questions about video editing? I’m here to help. Look for me on Facebook and Twitter, where I’m @jeffersong­raham.

Mobile editing will get the job done with the most basic of edits.

 ?? PHOTOS BY SEAN FUJIWARA ?? Above: Adding b-roll on the video timeline for iMovie.
PHOTOS BY SEAN FUJIWARA Above: Adding b-roll on the video timeline for iMovie.
 ??  ?? Right: Editing in iMovie on the iPhone.
Right: Editing in iMovie on the iPhone.
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