USA TODAY US Edition

Investigat­ive reporting has a way of sticking

- Rem Rieder @remrieder USA TODAY

When the Reva and David Logan Symposium on Investigat­ive Reporting debuted 10 years ago, the outlook for the topic at hand was bleak.

Traditiona­l journalism had been walloped by the digital revolution, and newspaper investigat­ive teams were under siege.

Then came the financial collapse, compoundin­g the financial pressure. There were real fears about the future of accountabi­lity reporting, which is so important in a democratic society.

Things looked so desolate that the Logan Symposium in 2008 was called: “The crisis in news: Is there a future for investigat­ive reporting?”

But at the 10th anniversar­y conclave over the weekend, the mood was much more upbeat.

“Investigat­ive reporting is not going away,” declared Lowell Bergman, who runs the Investigat­ive Reporting Program at the Graduate School of Journalism at the University of California­Berkeley. “It now has commodity value. People see this kind of work can be the mainstay of reporting around the world.”

And, he added pointedly, “This kind of work might actually make a difference.”

As if to underscore the enduring power of investigat­ive reporting, on Sunday morning, not long before the end of the invitation­only symposium, came news about the release of the Panama Papers, a huge, explosive leak of documents about the shadowy world of offshore companies. Reporting on the massive trove was coordinate­d by the Internatio­nal Consortium of Investigat­ive Journalist­s.

Bergman is a longtime investigat­ive reporter, and his program honchos the Logan Symposium. Noting the Oscars won by the movie Spotlight, about The Bos

ton Globe’s investigat­ion of a Catholic priests’ sex abuse scandal, Bergman said, “The work we do is once again hip.”

Spotlight was the theme Friday of the symposium’s opening night panel, which featured Blye Faust, one of the producers of the film, and Walter Robinson, who was head of the Globe Spotlight team that carried out the priest investigat­ion and gave the movie its name.

In introducin­g them, Temple University journalism dean David Boardman recalled the gloom of the early Logan days and touched on some of today’s successes.

One major developmen­t has been the increasing role of nonprofits. ProPublica, which debuted in 2008, has become a major investigat­ive player. The Center for Investigat­ive Reporting and the Center for Public Integrity, both veterans, have expanded their portfolios. Small locally oriented outfits have taken flight. National news outlets like The

New York Times and The Washington Post have maintained their commitment to watchdog reporting. The USA TODAY NETWORK makes investigat­ive reporting a priority. Witness its recent work on lead in the water.

Other trends, unthinkabl­e in the past, have also helped. News outlets, long irrevocabl­y committed to going it alone, have found value in collaborat­ing in a time of diminished resources. Excellent projects have often been the result. Work by journalism students, overseen by profession­als, has made its way into prestigiou­s publicatio­ns. Digital natives such as BuzzFeed have invested in investigat­ive units.

But Boardman, a longtime investigat­ive journalist and former executive editor of The Seattle

Times, put his finger on a major area of concern: Investigat­ive reporting at the metro papers that have been hit hard by the digital upheaval. Many have staffs that are half as large as in the past, or even smaller. That makes it very tough to keep investigat­ive staffs anywhere near full strength or spring reporters to pursue ambitious projects. Investigat­ive reporting is time-consuming and expensive work. Even papers that maintain the commitment — The Seattle Times, the Milwaukee Journal Sentinel, to name a couple — feel the pinch.

Spotlight producer Faust says her experience on the film made clear to her how important resources are. And clearly she has gotten religion: She has joined the board of the Center for Investigat­ive Reporting.

And Bergman sees a funding source that might ease the pressure. Last week, at the Toner Prize award ceremony in Washington, President Obama paid tribute to the value of deep reporting. Bergman notes that Obama is likely to sign the most lucrative book contract ever to write about his presidency.

Maybe POTUS could donate some proceeds to the cause.

 ?? KERRY HAYES, OPEN ROAD FILMS ?? Rachel McAdams, Mark Ruffalo and Brian d’Arcy James, right, in the Oscar-winning Spotlight
KERRY HAYES, OPEN ROAD FILMS Rachel McAdams, Mark Ruffalo and Brian d’Arcy James, right, in the Oscar-winning Spotlight
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