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Everything you need to know about Bill Paxton’s role in ‘Mean Dreams’

Suspensefu­l drama is one of the late actor’s last performanc­es

- Patrick Ryan USA TODAY

Hollywood continues to mourn the loss of actor Bill Paxton, who died unexpected­ly three weeks ago from a stroke after heart surgery at age 61. The prolific star of Aliens and Titanic had juggled TV (CBS’ Training Day) with dark thrillers ( Night

crawler) in recent years, the latest being Mean Dreams (video on demand and in theaters Friday in New York, Los Angeles, Chicago, Philadelph­ia, Dallas, San Francisco, Houston, Seattle, Minneapoli­s and Denver).

Here’s what you need to know about one of Paxton’s final performanc­es. PAXTON SHEDS HIS ‘NICE GUY’ PERSONA. We’re used to rooting for Paxton’s plucky heroes in ’90s thrillers such as Twister and Apollo 13, but the actor goes full mustachetw­irling villain as Dreams’ Wayne Caraway. Paxton delivers a legitimate­ly terrifying performanc­e as the hard-drinking and corrupt cop, who frequently beat his wife before she died in a car accident and now takes out his aggression on his teenage daughter, Casey (Sophie Nélisse).

We see the full extent of his cruelty when he nearly drowns Casey’s new boyfriend, Jonas (Josh Wiggins), in a farmyard trough after he tries to step in when Wayne hits her. Later, Wayne fatally shoots a man during a drug deal and takes his suitcase full of money, which Jonas steals before running away with Casey. That sends Wayne into a rage spiral, culminatin­g in a gloomy, bloody standoff with the lovestruck teens.

“I find that when you play the villain, usually they have a better justificat­ion than the protagonis­t — and they’re always more interestin­g because of that,” Paxton told People and Entertainm­ent Weekly last May while promoting Dreams at Cannes Film Festival. “You want to play a character that’s indelible in the audience’s mind. It’s like, ‘Here comes tiger, what’s he going to do now?’ ” THE MOVIE IS FINE, BUT PAXTON IS GREAT. Dreams has been warmly, if not rapturousl­y received by critics, earning 73% positive reviews on aggregate site Rotten Tomatoes. Variety criticized the film’s “lumpily inauthenti­c dialogue,” while The Hollywood Reporter was unimpresse­d by the “cliché, implausibl­e plotting and cumbersome dialogue.” The script is certainly unsubtle, with Jonas at one point telling Wayne, “You wouldn’t know an angel if you beat on one.”

But there are still things to love in the taut thriller, namely Steve Cosens’ stark cinematogr­aphy, Son Lux’s haunting score and Paxton’s towering performanc­e. The actor “injects Mean Dreams with a palpable sense of menace,”

IndieWire hailed. “He’s a terrific embodiment of the harsh world holding the film’s central characters down at every turn.” IT’S NOT THE LAST TIME YOU’LL SEE PAXTON ONSCREEN. If Dreams was indeed Paxton’s final movie, it wouldn’t be a bad performanc­e to go out on. Despite his scenery-chewing, he still manages to bring a glint of humanity to the nearly irredeemab­le Wayne, particular­ly in a tear-stained confrontat­ion with Casey late in the film.

Luckily, there are still more Paxton projects on the horizon. He’ll appear in the less-enthusiast­ically received Training Day when it returns April 8 (9 p.m. ET/PT). (According to CBS, he shot all 13 episodes before his death and his role won’t be recast if there’s a second season). He also can be seen in next month’s big-screen adaptation of Dave Eggers’ 2013 novel The Circle starring Emma Watson and Tom Hanks (in theaters April 28, following its premiere at Tribeca Film Festival).

 ?? PHOTOS BY VERTICAL ENTERTAINM­ENT ?? Wayne Caraway (Bill Paxton) is a hard-drinking and corrupt police officer in Nathan Morlando’s new drama Mean Dreams.
PHOTOS BY VERTICAL ENTERTAINM­ENT Wayne Caraway (Bill Paxton) is a hard-drinking and corrupt police officer in Nathan Morlando’s new drama Mean Dreams.
 ??  ?? Wayne (Paxton) abuses his daughter, Casey (Sophie Nélisse), spurring her to run away from home with the boy next-door.
Wayne (Paxton) abuses his daughter, Casey (Sophie Nélisse), spurring her to run away from home with the boy next-door.

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