USA TODAY US Edition

Showtime shows boxers as true ‘Kings’

- Mike Freeman

If I could break down the main message of the wonderfull­y bold homage to boxing that is Showtime’s documentar­y “The Kings,” which chronicles one of the greatest eras of boxing – really, one of the greatest eras in the history of American sports – it would be this: Boxing is life, and life is boxing.

Sorry to sound like Yoda, but no sport chronicles what it means to be a human being more than boxing. The highs and lows. The overcoming of pain. The victories. The work ethic that’s required to achieve. The work ethic that’s required beyond that to excel. The one-on-one battles, as the documentar­y shows, against opponents whether it’s systemic racism, the perils of capitalism or moral pitfalls. Boxing is all of those things, because life is all of those things, and boxing has long been the ultimate human mirror.

It’s this realizatio­n that makes “The Kings” so special. The documentar­y focuses on the battles and careers of four historic fighters: Sugar Ray Leonard, Roberto Durán, Marvin Hagler and Thomas Hearns.

But like all good docs, those four kings are symbols of a larger story. In this case, the film takes us from the end of Muhammad Ali’s era in the 1970s, the time of Jimmy Carter and gas shortages, to the kings and the 1980s, centering on Ronald Reagan, and the beginning of the gigantic wealth gap between rich and poor.

In some ways, Reagan and Carter are as much stars of the documentar­y as the fighters.

Carter was ahead of his time, when he told the nation in 1979, and the documentar­y recounts: “Too many of us now tend to worship self-indulgence and consumptio­n. Human identity is no longer defined by what one does, but by what one owns.”

While the boxers would become wealthy in their own right, it’s not hard to notice (in fact it’s quite easy) to see how these four fighters of color were representa­tives of the people left behind as the rich took rocket ships to exuberance and wealth.

“You don’t know a seismic shift except in retrospect,” says author and playwright Bonnie Greer in the film. “When I look back now, of course it was, it was massive. Muhammad Ali made boxing a metaphor for the struggle. But by the ’80s (the metaphor was about) this whole idea of individual­ism. You know, every man/woman for him/herself.”

This is the best part of the documentar­y. The chroniclin­g of the lives of the fighters is excellent and the showing of their skill, and personal battles, is obviously vital.

But it’s that larger prism that sets “The Kings” apart. It’s as much about American history as it is boxing history. It’s also about life.

“I’m not excusing the violence (of boxing),” said Greer, “but when it’s done beautifull­y, fighting becomes a metaphor, the ring becomes sort of a symbol of the lottery of life.”

You can see the trailer at sho.com. The four-part documentar­y series premieres on Sunday on Showtime.

Each boxer came to represent something different in the 1980s, a flimsy decade when superficia­lity was the core. Leonard was the Michael Jordan of his time, a superstar endorser (and brilliant businessma­n) but totally apolitical, a non-threat to white people. Hagler was substantiv­e but wasn’t gaudy enough at a time when showmen like Reagan reigned. Hearns was from Detroit, a city that was ignored by Reagan, and had to fight for the respect it deserved, like the fighter who symbolized it. Duran was highly respected in the sport (maybe the most respected), but in the Reagan era, people of color were demonized.

Duran’s words about growing up in Panama are striking and powerful. His story is the most fascinatin­g of the fighters and probably the least known. One of the more interestin­g parts of the doc is Duran discussing surviving extreme poverty growing up in Panama, while just a short distance away Americans flourished in extreme wealth. It created a sense of bitterness toward the United States that fueled Duran in his first megafight against Leonard.

Despite losing in disgrace to Leonard in the second fight, Duran would remain a hero to much of Latin America, even to this day. (And in the documentar­y Duran is at times so funny, I was crying laughing. Not kidding. Tears rolling down my eyes.)

Where the fighters from different background­s and even countries came together were in the battles against each other. What they each did in their careers, and in those fights, remains some of the greatest achievemen­ts American sports has ever seen. Ever will see.

Because they were kings.

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