USA TODAY US Edition

‘F9’ may have just jumped the chasm with near-death scene

No spoilers, but the over-the-top plot point may drive die-hard fans around the bend.

- Bryan Alexander

There are spoilers ahead and opinions that will have zero effect on anyone’s view of “F9,” the latest “Fast and Furious” movie.

“F9” soars to greater levels of ridiculous­ness than ever for the wildly overthe-top “Fast and Furious” franchise. But that near-death scene screams that the series has jumped the shark – or the blown-out bridge on a cliff.

I’m not referring to beloved Han (Sung Kang) waltzing into “F9” after his clearly misinterpr­eted fiery death in “Fast and Furious 6.” That was three “Furious,” one “Hobbs & Shaw” and a #JusticeFor­Han campaign ago.

That’s how the humorous non-reality rolls in “F9,” with soaring cars pulled onto planes by gigantic magnets; Ludacris’ Tej saying, “As long as we obey the laws of physics, we’ll be fine” as cars rocket into space; and Dame Helen Mirren careening around London without even thinking about her seat belt.

All of that is entertaini­ng ...

I’m talking about the other faux death in “F9.”

This is your last chance to bail before the “real” spoiler. Which is really not that much of a spoiler.

It’s the scene of Dom Toretto’s neardemise, quasi-ascension and rebirth that’s making me stick my fork in this four-wheeled franchise. The excruciati­ng scene will cause ocular exhaustion from eye-rolling and is a bleak harbinger of the “Furious” future.

It all goes down in an industrial hideout as Dom (Vin Diesel) urges his comrades to shelter from a pursuing battalion of baddies. Close the hatch, he’ll take the blows. Distraught love Letty (Michelle Rodriguez) has an especially tough time leaving Dom. Worse, she has to watch from behind protective glass.

And Dom luxuriates in the dramatic spotlight, like Captain Kirk’s hammy 1967 “Star Trek” battle against the lizard alien Gorn.

But it’s multiplied in “F9,” as ever-appearing baddies throw themselves at Dom with zombie-inspired fighting zeal. He has only two hands for tossing them over catwalks.

Letty screams in anguish watching Dom’s desperate power move. He pulls chains, Samson-like, to bring the lair crashing down. Pursuing baddies and Dom head to certain death in the water.

Drowning Dom even has an out-ofbody experience with white light-filled childhood moments, heavenly talk of “coming home,” previously unseen secret life events and, naturally, a past pivotal drag race.

Then Letty swoops down and pulls Dom from the murky depths.

Moments later, Dom pushes up from a table with a look that suggests mere intestinal discomfort. A kiss from Letty later, he’s back in the fight.

Even with the “Are we invincible?” theme that runs through “F9,” it’s too much.

And about those extras impaling their faces onto Dom’s fists: They’re lame. It doesn’t have to be Thanos, but how about some worthier foes?

Which brings up the foreboding that stays long after “F9” resumes action at acceptable levels of absurdity. There are reportedly two more “Furious” chapters.

If we’re having budget-blowing, curtain-closing moments now, how much more overwrough­t drama is coming when something of consequenc­e does happen in the final 300 or so minutes?

We’ve already had a scene that strives to match Iron Man’s death in “Avengers: Endgame.” And we’re not even close to the final turn. Even with the teased prospect of Jason Statham returning, “Fast and Furious” is gonna get gooey, real gooey.

This might be the time to jump in the muscle car and just ride off into the “Fast and Furious” sunset.

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