USA TODAY US Edition

Star power fuels Elton’s ‘Lockdown Sessions’

- Melissa Ruggieri

Early in the pandemic lockdown, Elton John was perfectly content to watch “Tiger King,” listen to music, play with his sons and learn how to work FaceTime and Zoom.

Sounds like the daily routines of many people in spring 2020.

But then he became Elton John again and churned out a 16-track album of collaborat­ions with marquee names including Stevie Wonder, Eddie Vedder and Miley Cyrus.

No mere mortal, he.

“The Lockdown Sessions” (out Friday) is a starry affair previewed this summer with “Cold Heart (Pnau Remix),” his partnershi­p with Dua Lipa that marries “Rocket Man” and “Sacrifice” with a fresh vibe. The hit returned John to the Billboard Hot 100 for the first time in 21 years and cemented his well-known appreciati­on of contempora­ry artists.

Many of his younger collaborat­ors, such as Surfaces and Rina Sawayama, became new John colleagues via his Apple Music show, “Rocket Hour.” Recordings for the album transpired remotely via Zoom – a first for the veteran singer/songwriter – or under strict safety regulation­s, including the artists being separated by glass screens.

The novelty of “The Lockdown Sessions” is undeniable. How can anyone not get a kick out of hearing him romp with Stevie Nicks (“Stolen Car”) or slink around with Gorillaz (“The Pink Phantom”)?

But despite John’s authentic grasp of current music, not every pairing works.

Hearing him wedged between Young Thug and Nicki Minaj on “Always Love You” sounds ripe for a “Saturday Night Live” parody, while British dance floor maestro SG Lewis can only do so much with the reedy “Orbit.”

But highlights abound on John’s creatively assembled collection. Here are a few standout pairings:

Charlie Puth (‘After All’)

An achingly pretty song that sweeps along with a summery, ’70s soul/pop vibe. The vocal effects on John’s contributi­on coat his voice with an interestin­g lilt and soften some of the edges of his sturdy rasp.

Jimmie Allen (‘Beauty in the Bones’)

Like Kane Brown, Sam Hunt and many other current country singers, Allen’s style can’t be pigeonhole­d to fiddles and banjos. He and John merge for an adrenaline rush of electronic pop with John’s piano fortifying when necessary.

Brandi Carlile (‘Simple Things’)

John and Carlile are musical soulmates and their comfort level playing off each other is palpable. John, 74, embraces the wisdom of his age with lyrics such as, “As an old man, I’m a young man, ’cause I’ve not been old for long,” before sharing lessons learned throughout life. A dancing piano melody, pedal steel guitar and flawlessly meshed vocals equate to the album’s

 ?? PROVIDED BY EMI UNIVERSAL ?? “Lockdown Sessions” followed safety protocols.
PROVIDED BY EMI UNIVERSAL “Lockdown Sessions” followed safety protocols.

Newspapers in English

Newspapers from United States