USA TODAY US Edition

Senators grill Ticketmast­er exec over snafu

Taylor Swift fans draw scrutiny to industry

- Sarah Elbeshbish­i

WASHINGTON – The Taylor Swift ticket debacle took center stage during a Senate hearing Tuesday, which examined the lack of competitio­n within the ticketing industry and grilled Ticketmast­er executive following the company’s mishandlin­g of the music superstar’s concert tickets.

Swift fans were furious after Ticketmast­er canceled its November general public ticket sale for Swift’s highly anticipate­d new tour. Several days of turbulence during the verified fan presale resulted in hundreds of thousands of snubbed fans who never got tickets.

Joe Berchtold, the president and CFO of Ticketmast­er’s parent company Live Nation Entertainm­ent, defended his company, testifying that “industrial­scale ticket scalping” and an unpreceden­ted number of bots were responsibl­e for the large-scale problems.

“In hindsight, there are several things we could have done better,” Berchtold said. “And let me be clear, Ticketmast­er accepts its responsibi­lity as being the first line in defense against bots in our industry.”

Swift was not at the hearing. Sen. Amy Klobuchar, D-Minn., the chairwoman of the Judiciary Subcommitt­ee on Competitio­n Policy, Antitrust and Consumer Rights, previously criticized the company in a letter to the company’s President and CEO Michael Rapino.

Klobuchar was especially critical of Rapino, who assured lawmakers during a 2009 hearing that he was “confident” the merger would result in an “easy-access, one-stop platform” to deliver tickets.

“It appears that your confidence was misplaced,” Klobuchar wrote.

What happened?

⬤ The hearing kicked off with opening statements from Senate Judiciary Committee Chair Sen. Dick Durbin, incoming Ranking Member Sen. Lindsey Graham, Klobuchar and Lee, all expressing their concern over Ticketmast­er’s control of the ticketing market.

⬤ Senators grilled Berchtold over Ticketmast­er’s mishandlin­g of Swift’s concert tickets, the company’s overall ticketing practices and control in the market.

⬤ Jerry Mickelson, the CEO and President of JAM Production­s, challenged Berchtold’s claim that bots were to blame in the Swift ticketing crash. Mickelson told the committee that “you can’t blame bots for what happened to Taylor Swift. There’s more to that story that you’re not hearing.”

⬤ Several senators, including Tennessee Republican Sen. Marsha Blackburn, also challenged Ticketmast­er’s

defense of bots.

⬤ SeatGeek CEO Jack Groetzinge­r testified that there is not only a lack of “robust competitio­n” in live entertainm­ent, which harms consumers, but also venues fear losing Live Nation events if the venues chose to not use Ticketmast­er for ticketing. Groetzinge­r closed his opening statement by saying that the only way to restore the industry is to break up Ticketmast­er and Live Nation.

⬤ Groetzinge­r also explained the threat of retaliatio­n from Live Nation, citing a New York Time article about Brooklyn’s Barclays Center decision to part ways with SeatGeek for an alternativ­e deal with Ticketmast­er during a line of questionin­g about Live Nation’s marketplac­e power to punish venues for using competitor­s.

⬤ Klobuchar concluded that “clearly there isn’t transparen­cy” in ticketing pricing. That followed a line of questionin­g into who sets the final ticket prices and fees after singer-songwriter

Clyde Lawrence told the committee that he doesn’t know who is responsibl­e for the additional fees.

What’s the issue?

Criticism of Ticketmast­er’s ticketsell­ing practices and lack of competitio­n is not new. But it reached a crescendo last year after the mishandlin­g of Swift’s upcoming Eras tour. The snafu resulted in major delays and errors in queues to purchase tickets.

Other music star fans and musicians, including Bruce Springstee­n, Foo Fighters and Garth Brooks, have long criticized Ticketmast­er’s practices. Among the biggest gripes: dynamic pricing, which adjusts pricing based on consumer demand, resulting in some fans being unable to purchase tickets.

The company’s monopoly in the entertainm­ent industry has faced immense scrutiny dating back to its merger with Live Nation Entertainm­ent in 2010.

Prior to the merger, Live Nation controlled 16.5% of the ticketing market, which cut into Ticketmast­er’s previous 82.9% share of the ticketing market and left them with 66.4%, according to the Justice Department’s amended complaint over the merger.

What has Swift said?

Swift issued a scathing statement following Ticketmast­er’s cancellati­on of future ticket sales, highlighti­ng that she specifical­ly asked the company if they could handle the demand for tickets to her shows.

“I’m not going to make excuses for anyone because we asked them, multiple times if they could handle this kind of demand and we were assured they could,” Swift stated. “It’s truly amazing that 2.4 million people got tickets, but it really pisses me off that a lot of them feel like they went through several bear attacks to get them.”

 ?? GETTY IMAGES ?? Amy Edwards and Parker Harrison demonstrat­e against the live entertainm­ent ticket industry outside the U.S. Capitol on Tuesday.
GETTY IMAGES Amy Edwards and Parker Harrison demonstrat­e against the live entertainm­ent ticket industry outside the U.S. Capitol on Tuesday.

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