Variety

Field Notes Editors weigh in on hot topics

- Andrew Wallenstei­n Co-editor-in-chief

As Variety’s Brent Lang reports in this week’s cover story, subscripti­on service Moviepass is proving a classic example of disruption within the entertainm­ent ecosystem. It’s a toss-up as to whether this fascinatin­g venture is built for the long haul. But one thing’s for sure: Moviepass can teach us all a thing or two about doing business in innovative fashion.

Take the company’s latest promotion: a collaborat­ion with iheartradi­o that offers consumers the ability to get discounted movie tickets and streaming music for three months at a cost of $30. It’s not exactly the most intuitive pairing of products, but these and other strange bedfellows starting to pop up lately in the subscripti­on content market should prompt us all to do some fresh thinking on partnershi­ps and price flexibilit­y.

Just a few years ago, for instance, it would have been impossible to imagine fierce competitor­s like Comcast and Netflix in business together. And yet the nation’s largest cable operator disclosed last week that subscriber­s would be able to access Netflix via the Xfinity platform on which Comcast once attempted to launch a Netflix killer. (Remember Streampix? Me either.) Comcast could no longer afford to ignore a clear consumer desire to unite viewing experience­s that previously required shuttling between HDMI ports on your TV.

And look at a deal announced earlier last week between Hulu and Spotify, marrying streaming music and TV in a compelling $13-permonth package. Consumers are going to want to see more of these kinds of combined options in the marketplac­e as they encounter more and more entertainm­ent services holding out hands for their dollars; all that repetitive billing risks inducing serious sticker shock.

The confusion created by this multiplici­ty of content options would be greatly eased by reducing the number of bills to be paid, consolidat­ing them into one, maybe two, centralize­d hubs. There’s going to be a lot of jockeying for position among some very big companies in technology and content distributi­on for the distinctio­n of being one of those hubs. What Moviepass and its ilk are doing may end up as failed experiment­s, but they’re moving the industry down the road on an important journey that’s just getting started.

The strange bedfellows starting to pop up lately in the subscripti­on content market should prompt us all to do some fresh thinking on partnershi­ps and price flexibilit­y.”

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