Variety

ALBUM OF THE YEAR

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Billie Eilish, “Happier Than Ever” Olivia Rodrigo, “Sour” Taylor Swift, “Evermore” Lil Nas X, “Montero” Drake, “Certified Lover Boy” Kacey Musgraves, “Star-crossed” Doja Cat, “Planet Her” Justin Bieber, “Justice” Chris Stapleton, “Starting Over” H.E.R., “Back of My Mind”

Worth noting off the bat: all the previous three winners for album of the year — Musgraves, Eilish and Swift — have an album in contention this year. Of those three, Musgraves may face the toughest odds in returning, just because the divorce-themed “Star-crossed” is not the feel-good favorite that  €’s “Golden Hour” was, but the acclaim for it still augurs for a nomination. Swift won just last year, for an album seen as a twin sister to the new one, so it’s hard to know if she’ll ride that wave or voters might think it’s too soon to give her a repeat. There’s a false trope going around that Eilish’s sophomore album is a commercial disappoint­ment, yet it hasn’t left the top since it was released in July; don’t underestim­ate its legs.

Rodrigo being among the two or three front-runners is a no-brainer. What remains to be seen is whether the rest of the field will favor the

Halsey could be the biggest victim of the switch to a popular vote, with a brilliant album that could be forgotten after a too-quick chart descent.

kind of pop blockbuste­rs that might otherwise have been nixed by a blue-ribbon committee. Drake’s album, whose mixed reviews might have kept it from making the cut in a committee year, seems likely to get in now that we have a popular vote; if every Academy member who knows one of the —€ producers votes for it, it’s a cinch for a nom. Doja Cat and Justin Bieber will also have their odds increase if the new process favors actual hits. H.E.R. is a question mark; she was nominated twice already for albums that were really compilatio­ns, so she’d seem a shoo-in for her actual full-length debut, yet it didn’t make as much noise as expected commercial­ly.

As for Morgan Wallen — the success story of the year, despite his scandal — some Nashville peeps have said they’ll vote for it, yet it’s the Academy that would be scandalize­d if it got in. And most in the country community would rather have Chris Stapleton as their awards-show face. Meanwhile, Halsey may be the biggest victim of the switch to a popular vote, with a brilliant album that could be forgotten after a too-quick chart descent.

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