Western Art Collector

Raymond Gibby

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Raymond Gibby is interested in symbolism and deriving deep meaning from visual representa­tions. “Things that are obvious tend to not offer the mental or spiritual challenge that my soul craves.

I am also interested in the human condition, so I tend to address that subject using wildlife as a mode for conveying a message within my bronze artworks,” Gibby says. Although he will periodical­ly sculpt a study of an animal to simply appreciate the unique beauty of the species, Gibby says he finds that specific animals performing certain actions can symbolical­ly be used as a method to reflect his own human flaws, strengths and desires. “I also find that the way humans interact with animals reveals a lot about our own human character. So, at times I will portray the plight of a species, which we may have caused, as in the case of the pieces Cry of the Ancients and Backfire.”

The artist explains that in ancient folklore, animals served as messengers from higher beings. “I guess that for me, they still serve that purpose. I see that if we are willing to consider the symbols in wildlife, we will begin to see a mirror reflection of ourselves. Hopefully, what this will reveal are strength and beauty. In the case that we see something that concerns us, my hope is that we will not let our weaknesses define us, but instead that we will let them refine us, like the melted bronze from which my works are cast. By so doing, may we all become a beautiful work of art.”

Gibby’s work can be seen at the upcoming Naturework­s Art Show from March 1 to 3 at the Renaissanc­e Tulsa Hotel & Convention Center.

 ??  ?? Cry of the Ancients, bronze, ed. 15, 26 x 24 x 23"
Cry of the Ancients, bronze, ed. 15, 26 x 24 x 23"
 ??  ?? Raymond Gibby with Maternal Instincts.
Raymond Gibby with Maternal Instincts.
 ??  ?? Backfire, bronze, ed. 20, 13 x 16 x 7"
Backfire, bronze, ed. 20, 13 x 16 x 7"

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