Western Art Collector

Nicholas Coleman & JD Challenger

Paired up

- JD CHALLENGER & NICHOLAS COLEMAN

When Nicholas Coleman first started showing his work at Manitou Galleries in Santa Fe, New Mexico, he was paired with painter JD Challenger. Four years later, the two artists are returning to once again show their unique visions of the West together in one show.

Coleman, who is based in Utah, will be showing one of his new landscapes scenes,

To the Call - On the South Fork, which is painted in a way that calls back to many of the great Hudson River School artists such as Albert Bierstadt.

“When my dad [painter Michael Coleman] was in college, there was a Frederic Church painting at BYU in one of the stairwells. He would take it off the wall and carry it outside so he could study the painting in the light.

Now it’s in a better place in the collection— and you definitely can’t take it off the wall anymore, that’s for sure—but he was pulled in by those artists, Bierstadt and [Thomas] Moran. They painted these romantic skies and fantastic sunsets, and seeing those works could really open your eyes and knock your socks off,” Coleman says. “So when people see their work in my own, it’s a huge

compliment to me.”

Coleman’s paintings reward viewers with attentive viewing, and To the Call - On the South Fork is certainly one that delivers little details in the paint, from the strong silhouette in the open teepee to the tiny birds floating through the pink and orange sky. “Birds are almost always in my paintings because birds are everywhere. And they add dimension to almost any work,” he says. “Those little details, sometimes they help create that spatial distance you need in a painting.”

Challenger will also be showing his newest works, which are colorful and contempora­ry portraits of Native American figures in full ceremonial regalia. All of his paintings are based on real people. It’s that authentici­ty that drives his work. “Nothing is made up, and everyone is real. Working with live models helps bring some interestin­g qualities out in the work,” he says. “When I’m working with the model, I’m just the guy with the paintbrush. I ask them what they want to see, what stories they want to tell.”

For his newest works, Challenger has gone even a step further by hand-carving all of his frames. “By carving them myself they really become part of the piece itself, part of the art,” he says. “I want the frames to be an extension of the story.”

For informatio­n about the show, as well as details about the opening reception, visit www.manitougal­leries.com.

 ??  ?? Nicholas Coleman, To the Call - On the South Fork, oil on linen, 30 x 50”
Nicholas Coleman, To the Call - On the South Fork, oil on linen, 30 x 50”
 ??  ?? Nicholas Coleman, Sunlight Basin Camp, oil on linen, 12 x 16”
Nicholas Coleman, Sunlight Basin Camp, oil on linen, 12 x 16”
 ??  ?? JD Challenger, Medicine Lodge Dance, oil on panel, 28 x 30”
JD Challenger, Medicine Lodge Dance, oil on panel, 28 x 30”
 ??  ?? JD Challenger, Many Hands, oil on canvas, 24 x 20”
JD Challenger, Many Hands, oil on canvas, 24 x 20”

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