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With Singapore Retrospect­ive, Andrew Gn Begins a New Chapter

The exhibition kicks off at the Asian Civilisati­ons Museum before touring the rest of the world.

- BY JOELLE DIDERICH PORTRAIT BY DOMINIQUE MAÎTRE

Andrew Gn is ready for his close-up.

As he celebrates 28 years in business, the Paris-based designer is the subject of his first major retrospect­ive, “Andrew Gn: Fashioning Singapore and the World,” on show at the Asian Civilisati­ons Museum (ACM) in Singapore until Sept. 17.

He's working on a biography, to be published next fall, and is in talks to bring the exhibition to institutio­ns in the United States, France and the rest of Asia, including China. “So it will be about five, six years of my life. It's like engaging myself in a James Bond movie,” he says, with one of the booming laughs that punctuate his conversati­on.

Gn is sitting at the mirrored Gio Ponti dining table in one of his two apartments in Paris, surrounded by his prolific collection of ceramics. While his other home is a maximalist ode to the 18th century, this space in the north of the French capital reflects his modernist leanings, with a mix of midcentury furniture and abstract art.

While he's dressed everyone from Queen Rania of Jordan to Lady Gaga, the genial designer has kept a relatively low public profile so far, preferring to cultivate close personal relationsh­ips with his customers. Early in his career, trunk shows introduced him to society doyennes such as Lynn Wyatt, Blaine Trump and Susan Gutfreund.

“They became my friends, and I really treasure those friendship­s. And I also got to know what they like, and that contribute­s a lot to my work, because it's a very useful way rather than designing for a woman that doesn't really exist,” he says.

Following two major health scares, including a stroke last year, he now prefers to welcome VICs at his ornate couture salon in the Marais district, dominated by an 18th-century Murano glass chandelier formerly owned by Italy's historic Doria Pamphili clan.

Gn has reached a stage in his career where he's thinking of ways to give back. As a first step, he's donated 160 designs to the ACM, ranging from a linen dress with pagoda epaulets, embroidere­d with colorful Asianinspi­red motifs, to the pointy-shouldered cropped jacket with signature jeweled buttons worn by Lily Collins in “Emily in Paris.”

“I need to start building my legacy,” he explains. “And I think it is really such an honor, first and foremost, to be honored by your own country. It means a lot to me and it starts from there.”

While studying at Central Saint Martins School of Art in London in the ‘80s, Gn went on an exchange at Parsons School of Design in New York City. There he was able to consult garments by the likes of Claire McCardell and Geoffrey Beene in the archives at the Fashion Institute of Technology.

“You wear gloves, you handle them, you study them, and this is how I learned,” he recalls, adding that he hopes to create a similar facility in Singapore.

“It's to educate a new generation about what a guipure [lace] is, how to make a certain kind of embroidery,” he explains. “It's not through images on TikTok, or IG — despite the fact that we're active on it — that you're going to learn about fashion. Fashion is a craft. It's about making clothes. You need to learn from the real stuff.”

One of his earliest fashion influences was his Peranakan Chinese grandmothe­r, who typically wore embroidere­d lace tunics with contrastin­g sarongs. He remembers her chewing betel leaves as she hand-beaded sandals with female friends and relatives.

Gn's father was a merchant who bought fabrics such as Indonesian batiks and fine silks from Thailand on his travels. His mother would have them made into Chinese cheongsams or Western-style suits — looks that have influenced the designer's trademark combinatio­n of clean lines, vivid hues and lavish embellishm­ents.

Gn, who graduated with an MA from Domus Academy in Milan, likes to say that London taught him how to dream, New York taught him about business, and Milan taught him about the industry. But it was in Paris that he realized his dream of founding his own label.

Launched in 1995 as a knitwear line, it has evolved into an occasionwe­ar collection that is carried by major retailers including Bergdorf Goodman, Saks, Matchesfas­hion and Net-a-porter.

Flanked by his longtime business partner Erick Hörlin, Gn has combined a cautious approach to investment with a progressiv­e mindset that has helped his privately owned label to weather recessions and the e-commerce revolution.

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Andrew Gn

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