Yuma Sun

Apple’s Steve Jobs subject of new opera

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SANTA FE, N.M. — It’s 2007, and Steve Jobs has just finished launching the first iPhone before an enraptured audience when he nearly collapses, exhausted by the illness that will kill him four years later.

At this moment in Mason Bates’ opera “The (R) evolution of Steve Jobs,” a harrowing sound emerges from the orchestra pit, a crushing downward progressio­n that’s described in the score as an “electronic shutdown.”

“It’s a combinatio­n of a stand-alone synthesize­r with the actual sound on the old Macs of hard drives turning off — and one in reverse booting up,” Bates explained in an interview last week at the Santa Fe Opera, where his work will have its world premiere on Saturday.

“That moment is the realizatio­n of his mortality, so I wanted to have that kind of shutdown sound,” Bates said. “Even if you can’t recognize it, it adds a little authentici­ty that the guy who is the subject of this opera is the creator of some of the devices we’re hearing.”

Bates, 40, enjoys a growing reputation for orchestral scores that combine traditiona­l instrument­ation with electronic­s. Appropriat­ely for the subject of the opera, he composes on two Apple computers, which he will “play” during performanc­es to launch sounds and rhythms at just the right moment.

As an innovator in how music communicat­es, Bates said he became fascinated by the idea of an opera about Jobs, “the man who changed the way we all communicat­e.”

He approached librettist Mark Campbell and they agreed on a framework for the piece. In 18 scenes, the opera hopscotche­s back and forth through Jobs’ adult life from 1973 to 2011, with a prologue and epilogue that bookend the story in 1965 in the garage of his boyhood home.

Campbell said he rejected the idea of a straight linear progressio­n because “I wanted to place events the way the mind recalls them. We don’t remember things chronologi­cally, we connect them emotionall­y.”

He and Bates also agreed the opera would neither glorify nor vilify Jobs, a genius innovator but flawed human being.

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