Yuma Sun

Mexican musician finds refuge in saxophone since 2019 acid attack

- BY MARÍA VERZA

MEXICO CITY – María Elena Ríos has conflictin­g feelings about her saxophone: She once blamed the instrument for bringing her to the brink of death – but it also has been her salvation.

Ríos, 29, thought her career as a musician and her devotion to her saxophone was what led her former boyfriend – an influentia­l politician – to hire the men who splashed acid onto her face and body, disfigurin­g her. Later, she learned he simply couldn’t accept that she had broken off their relationsh­ip.

Some of the attackers and the ex-boyfriend are in jail, but Ríos still had to come to terms with her instrument. Her love of the saxophone, in the end, is helping heal the psychologi­cal scars left by the terrifying attack.

“We are reconcilin­g, little by little,” Ríos said of the musical instrument. “I hated it, because I thought it was responsibl­e” for the 2019 attack in Mexico’s southern state of Oaxaca. She’s performed live since then, but still wears a mask covering her lower face.

“It bothered my attacker a lot that I was a musician,” Ríos recounts, “because he said we musicians were vagrants, poverty stricken, that we just took drugs and that when I went to concerts I probably participat­ed in orgies.”

The ex-politician who allegedly ordered the attack is being held in jail while awaiting trial, as are two other men, but another remains at large.

Meanwhile, Ríos has joined a movement calling for greater punishment­s for acid attacks. and says the saxophone is her “sword” in that battle on behalf of victims.

Mexico City legislator­s have proposed a bill bearing her nickname, “Malena,” which would classify acid attacks as a distinct, serious crime equivalent to attempted homicide. Currently they are treated as simple assault or bodily injury.

Acid attacks are most common in South Asia, but also have been documented in many other parts of the world, including Latin America.

The Carmen Sánchez Foundation, started in 2021 to highlight the issue in Mexico, says government health data from 2022 suggests more than 100 women were attacked by chemicals or some kind of corrosive agent, though only 28 were reported to authoritie­s.

Ríos remembers having to choose, at age 9, between playing soccer and joining one of the musical bands that are a popular community activity in the rural villages in Oaxaca.

“I am not her anymore. I am not the beautiful young woman who played the saxophone anymore,” said Ríos. “Today I can say I have been forced to become a defender of my own rights, and a defender of the rights of other fellow women survivors.”

She was hospitaliz­ed for five months after the attack, and still recalls the sadness in her parents’ eyes when she awoke in hospital.

She now attends musical classes in Mexico City, where she has taken refuge since the attack. The federal government has provided her with bodyguards because her attacker was wealthy and influentia­l.

Ríos said she and her family were harassed before the attack, when she tried to break off the relationsh­ip. She says the harassment continues, and that she lives in constant fear for her life.

The man accused of ordering the attack, Juan Manuel Vera Carrizal, was a local legislator and businessma­n. He has declared himself innocent and his lawyers deny he had any involvemen­t.

Even though he was jailed and expelled from his political party in 2020, Ríos says he still has influence.

In January he was almost released to house arrest after a judge tried to reclassify the crime, applying rules for a lesser offense. But because her case has gained has gained national attention, the attempt failed.

Music is now a refuge for Ríos. “When I begin to assemble my saxophone, I feel like I am putting myself together,” she says.

Last year she was invited to play on stage for the first time after the attack. It was at the annual Vive Latino music festival in Mexico City with the rock group Maldita Vecindad.

She says it made her feel “eternal.”

 ?? GINNETTE RIQUELME/AP ?? MARIA ELENA RÍOS HOLDS HER SAXOPHONE at the end of a rehearsal at the National Autonomous University of Mexico music department, in Mexico City, on Tuesday.
GINNETTE RIQUELME/AP MARIA ELENA RÍOS HOLDS HER SAXOPHONE at the end of a rehearsal at the National Autonomous University of Mexico music department, in Mexico City, on Tuesday.

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