New Madrid museum set to unveil five centuries of Spain’s royal collections
It’s not as if Madrid was short on world-ranking galleries with the likes of the Prado Museum, the Thyssen-bornemisza and the Reina Sofía, among others.
But next month, Spain is set to unveil what is touted as one of Europe’s cultural highlights of the year with the opening in the Spanish capital of The Royal Collections Gallery. The swanky new museum will feature master paintings, tapestries, sculptures, decorative art pieces, armory and sumptuous royal furniture collected by Spanish monarchs over five centuries, spanning the empire’s Hapsburg and Bourbon dynasties.
“This is the biggest museum project in Spain in decades, and also in Europe”, says Ana de la Cueva, President of the Patrimonio Nacional, a government body that runs the Gallery.
Unlike many other monarchies, Spain’s Royal Collections do not belong to the crown but to the public, thanks to a historical twist nearly a century ago. Now, Patrimonio Nacional oversees palaces, monasteries, convents, and royal gardens across the country.
For Gallery director Leticia Ruiz, bringing together such a variety of extraordinary pieces makes it something of “a museum of museums.”
The inaugural exhibition will feature 650 of the more than 150,000 pieces Patrimonio Nacional manages, including works from Velázquez, Goya, Caravaggio, Titian and Tintoretto. Also featured will be some pieces from the world’s best tapestries collection as well as ancient carriages and royal furniture. A third of the works will be replaced with new exhibitions each year.
Ruiz says the Gallery will offer visitors a unique vantage point of “the history of the Royal Palaces that are fundamental to the history of Spain and the world.”
One standout piece is Velázquez’s White Horse, rearing up and without a rider, suggesting the court painter was just waiting to be told which king to put in the saddle.
Nearby, the light and facial expressions in Caravaggio’s 1607 Salome with the Head of John the
Baptist are equally captivating. The painting is one of the just four Caravaggios in Spain.
Then there is the multicoloured cedar wood sculpture of Saint Michael slaying the Devil, a 1692 work by Spain’s first female court sculptor Luisa Roldán. It is known that she carved the devil in the likeness of her husband and that she, herself may have been the model for Michael.
On the same floor is the first edition of Cervantes’ Don Quijote.
“For many centuries, the Spanish monarchs were the best collectors in history,” said De la Cueva. Being able to buy and order from the best artists in the world “was a way of showing their power.”
Built on the steep hillside opposite the Madrid’s Royal palace and the Almudena Cathedral, the Gallery building itself is an impressive work of art.
Designed by Luis Mansilla and Emilio Tuñón, its unimposing vertical linear structure has won 10 architectural awards, including the 2017 American Architecture Prize.
Unseen from street level, it de
scends seven floors. In the Hapsburg rooms you are greeted by four gigantic baroque Solomonic faux marble wooden columns with gilded vines that once belonged to a Madrid church.
What makes the Gallery particularly special is its incorporation of Madrid’s ninth century Islamic foundation after archeologists came across part of the city’s Moorish wall during construction.
Madrid was originally called Mayrit in Arabic and its Islamic
rulers built a fortress to protect the nearby centre of power, Toledo. Following the reconquest of Spain by the Catholic monarchs, Madrid was converted into Spain’s royal court and capital in 1561 by Felipe II.
Álvaro Soler Del Campo, archaeologist and Chief Curator of the Royal Armory, says Madrid “is the only current capital of the European Union that preserves a fragment of its first (founding) walls” as well as being the only European capital city that has Islamic origins.