Travel & Leisure Zambia & Zimbabwe

Wood & Feather Designs: Jenny Chapple

Wood and Feather Designs by Jenny Chapple were born out of a vision to bring a piece of the wild and beautiful nature of Africa into the home.

- Esnala Banda

'My feather art was created in wZaimthbai­acoplulerc­etlyiobnyo­cfhgauninc­eainfo2w0l­1fe7a. tIthestras­rted tchoellehc­otresdeswa­hrioleuwnd­altkhiengf­atrhme.dUongasbal­ne dtoriding waitlhkopu­atsptiocnk­einogfithu­eps,eIbseaatua­tifhuolmfe­eatinhetrh­se anrtselaen­pdhacnratf­ftosrrmooy­mfraienndd­t’us rbniretdht­dhaeymgiif­nt.to sItewena,’sJiennsnpy­irreedveba­ylso.ther silhouette art I’d The trademark of the collection is the depiction of African animals or country

sfetyalteh­esrilsh;otuheisttc­eosllmecat­dioeneinst­sirteillly­gfrrowming and adnevdeelo­rrpoinr.g through self-teaching and trial w‘May slotvoecfu­otrtahret shialhsodu­eevtetleos­pteodgdivi­fefemreonr­et tdoefbinri­intigoan manodrethl­iefeu-sliekeofad­pipffearle. nI thfaevaeth­ers atalwxiady­esrmhayd, faurloavne­dfoferawth­iledr,aannddwtha­icskiys dmiyffewra­eyn tofogrimve. Athllaitmr­eaagle-slifaereas­bpaescetdi­nona bpehsoptos­ketapkerns­obnyaml dee, osirgfnrso.’m customers for cSuhteacno­dntcirneua­etse,d‘Ewahchilsp­tiaelcseoi­us shianngdth­derawn, ocricgaisn­iaolnanl dwmatoesrc­t osltoriukr­inogr faecartyhl­iecr. Tushed nisdgtuhir­noeuagfhow­oul,taAgf riocuan. dn(iensmtinyg­obpiirndio­fonu) fOrtahnecr­ofleina,tohsetrrsi­cuhs,emd aforarbmoy­u wstork,indcolvued­aend ibis, to name a few.’ sJeonmney odfistchle­osaerstwth­oartkshdei­ghitaasllp­ylasnosats­otoprint tsruacnhsa­fesrfathbe­rmicst,omeuvgesry­adnadychro­ucksehryol­adnidteims s fvaebrryic­eapgreordt­uocewros.rk with local pottery or One of her most sought-after pieces is chahemirci­dkxeetunpr­ifcetaoiot­fhnferoarf­nsw.cUoilsldii­nd,ggoaugismn, ewixahfoif­cwhfeluast­nhedesrs bchrinckge­snthfeaitm­heargse utoseldife­t,oagsetherb­wroitwhnth­e bfelatchke­arnsdcawll­htiotemsip­nedckthl edirgrueig­nuelafroly­wl patterned fur of the wild dogs. iAnfterens­ut mfroemrouf­rsienxdpsr­easnsdiofn­asmoiflyg, rJoenwniny­g Saphpowlie(dZfAoDr Sth) einZ2a0m1b­8i.a Art and Designs ZthAeDaSrt­isatnhdedb­eigsiggens­tinsdhuosw­trcyasiinn­Zgaemvebni­at .in Each year Zambian artists and high-end cervaefrty­pthroindgu­cfreorms eTx-hsihbiirtt­suntodehra­ncadnmvads­e galsawssew­llaarse,hfaunrdn-itpuarien,tjeedwtelx­letirlyesa, nledaftahs­ehrion, loupgpgoar­gteunanitd­y pt otsteerya.nZdAbDuSyi­sthteheves­rinygblesb­test JoefnZnaym­wboian’sMqousatli­Itnynporvo­adtiuvcets­N. eAwndParot dZuAcDtS, pTErnhitez­eeprprinir­ziaeseccoo­Pmnrospigs­erttaeimtd­iomonfesap­Ztaoromnps­bohiryaed(dPebEsyiPg­ZPn)re.idvate 1an0d,0c0r0a,fatesdwien­llZasmabpi­ar,oafecsassi­honparlizp­ehoftoZMW sphoreoatd­ofinthaele­caodllienc­gtiZoanmwb­iitahnamda­oguabzlein-pe.age pPrEiPvaZt­we osercktsow­r titohd, aensidgnth­arnodugimh,ptlheement sustainabl­e business solutions to the becigonaon­md cicodmepvl­elxopismsu­eenst.thPaEtPhZo­ilndvbesat­cskin the hcinraavhf­eat nswedocicr­tokrarefda­t sf,otwrheiotr­thehreiosr­uaAtelfars­irctgaoenm­gclaoorbuk­anelttrmsi­etahsrakte­t such as Mali, Senegal, Kenya and Morocco.

aJerwnt ncayoyudtl­hedatagt ioclsuinst­thtoahmtes­ierhreshoc­taomiuleol­sdr.evdishuear­listeawndh­einresuthc­eh ‘uIStgsoaio­mnltsgoemt­ohofertlep­hileenadtb­tefmeornre­mesgftiatt­ionsinogmm­feytgoomar­irenotcgrf­oertonopmf­eZidoAleop­DncleScael­ianpraveno­odtlphvIla­e’emtd. .’ lmJoentono­ufythreetx­popemlaati­aenrdsketi­nht tahetersre­hswet orrerkdli,eeasrnsmda­osthsptael­tyotophnle­rwoeofatre­rdenoaf croemaeteb­taocskufio­trebversyp­okcecapsri­eosne.nts which she can Currently, Wood and Feather Designs are a eoxnpea-wndo,manand shoewtealc­theosulgoh­caJel nhneylpies­rlsoonkitn­hgeto lfeaarmrn.how to ‘prep’ feathers as they are eager to Ddespiegnd, ainpgieocn­etohfeasri­tzweoarnkd­cianntrtia­ckaecyaboo­f uthtethree to fmouakrehs­oures.tShheey’friersctle­parne.pTahresntt­hheeffeeaa­tthheerrss daroenc’tusttticok­thweerllig­ohntpsaizp­eear.s Jbeunlnky,tshteanlkd­yrfaewatsh­tehres dsaensidrw­edicphicet­fufercetit­noplaeynec­riltohne pfeaaptehr­erths ednowusnes­inato that shape with card.

Jenny also experiment­s with up-cycling objects tlmahmbata­puaslraese(ssbhpreeac­nziiuaelrl­tysu)lr,oetcusarhl­netiorngiZ­natthmeerb­emisatinsi­nutocihntr­taeipsroio­dr design. t‘Eovwearryd­ysetahreIC­aomnsperro­vuadtioton­cLoonwtrei­rbuZtaemmb­yezairt tcohwarair­tdysfothr elopcoaal cahrteirst­psr, eavnednmti oneayndraw­isieldligf­oees apdrodtse.ction units of the Lower Zambezi,’ she JUeninvyer­Cshitaypwp­liethisaad­gergardeue­ainteAonfi­HmaarlpHee­raAltdhama­nsd tWhelvfaer­te raindarhya­pshoavremr aficveuyte­icaarlsi’nedxupsetr­riye.nce in

The trademark of the collection is the dofepAifcr­tiicoann animals or countrysty­le silhouette­s emnatdiree­ly from feathers

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