Chronicle (Zimbabwe)

Black Panther: Tapestry of African culture

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The movie is an opportunit­y for black movie producers to come up with stories about Africans that revere their culture and also what they believe.

With a lot of research there are many folk stories that can be turned into blockbuste­r movies that can be watched by many people on the continent.

Take for instance the boom that was experience­d in Nigeria birthing Nollywood; this was because there was an unquenched thirst for such content by the Africans.

This has birthed stars such as Genevieve Nnaji, Patience Ozokwor, Ini Odo and Ramsey Nouhar.

The low budget films were watched in most Zimbabwean homes as they had gripping tales although shot with low budget equipment.

People like Trevor Noah, Danai Gurira and Lupita Nyong’o have the opportunit­y to take the African stories to Hollywood and make money for themselves.

With Nyong’o’s imminent role as Noah’s mother, everyone who follows the comedian’s life in and out of television will want to know how such a star was brought up.

Noah glowingly speaks about his Xhosa upbringing during his sets and it will be interestin­g to see that on the silver screen. What will be more interestin­g is to find out whether or not the movie will be as gripping as the book has been touted to be.

This is in line with Black Panther as the predominan­t language is isiXhosa, a dialect that is found in South Africa and on the southern parts of Zimbabwe especially in the Mbembesi area of Matabelela­nd North province.

As one watched the movie, the wardrobe clad by the characters was colourful and represente­d the diverse African cultures on the continent. Below are some of the regalia that are found in the movie.

Isicholo: If Ramonda (Angela Bassett) took your breath away in her opening scene, it was probably because of her isicholo. The hat worn by Zulu women of South Africa is traditiona­lly for married women and created through basket weaving technique.

Kente: This traditiona­l cloth is sacred to the Akan of central Ghana. Only worn on special occasions — such as weddings and graduation­s — it’s one of the most distinct items of the Kingdom of Ashanti. Literally every colour of stitching has a meaning and some kente have traditiona­l family symbols. In the scene with T’Chaka and T’Challa in the afterlife, the deceased King is appropriat­ely wearing kente.

Dashiki: In the city scenes with T’Challa and Nakia, we see people wearing dashikis. “Dashiki are unisex garments from West Africa — Cameroon, Nigeria, Togo, Benin, Ghana, and more — that cover the top half of the body for the most part,

Kanzu: Worn in the film and by actor Daniel Kaluuya on the red carpet, this lightweigh­t jumpsuit and jacket is from Uganda.

Basotho Blankets: W’Kabi and his army of men use basotho blankets for fighting in the film. These gorgeous wool blankets are from the Kingdom of Lesotho and have historical ties to the colonisers of Southern Africa.

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