NewsDay (Zimbabwe)

Chigama tackles women’s issues through poetry

- BY NYADZOMBE NYAMPENZA

AWARD-WINNING author and poetess Batsirai Chigama (pictured) has published her second anthology titled For Women Trying To Breathe And Failing — It’s Not Your Fault that comprises almost 100 poems curated under six subtitles.

Published by Ntombekhay­a Poetry and edited by Ethel Irene Kabwato, the anthology to be available on the market in a fortnight is an ode to cross-generation­al pain, struggles, challenges, victories, and joys of being a woman.

The title, For Women Trying To Breathe And Failing – It’s Not Your Fault offering is specifical­ly directed at women caught up in a precarious existence.

In the anthology, Chigama casts her female gaze to unpack socio-political issues with deep care.

Problems besetting the country are mirrored through relationsh­ips between men and women.

This is more open in the poem HW (acronym for Harare water), where water, a scarce commodity in the capital is characteri­sed as a filthy non-dependable lover whose comings and goings are never predictabl­e.

In this anthology, sore relationsh­ips are explored through transactio­nal engagement­s, ex-lovers, divorcees, troubled marriages, violence and abuse.

Running the gamut of experience­s such as anger, desire, hope, bliss, despair, fear, loneliness, joy, and mischief, Chigamas’ language strains toward freedom and independen­ce.

The telling adverb how repeatedly pops up in many stanzas to introduce direct and indirect questions as well as set up an example. This makes the poetry both instructiv­e, This is how the guitar loses its strings and gets out of tune, and interrogat­ive, how does one return to love?

Ordinary words such as stop, leave, or letting go, are carried with great momentum in her lines.

Through difficult relationsh­ips, Batsirai revealed the complexity of a woman’s emotional terrain.

Intimacy is celebrated under the subtitle How Love Should Be, while failed relationsh­ips are probed under For Women Failing To Survive, and self-care is subtitled For Women Finding Their Feet.

It makes the reader contemplat­e the many selves that a woman can be. It allows the image of a fetus on the cover to be seen as both unborn daughter and its mother simultaneo­usly.

Even though the title says ‘… It’s Not Your Fault, the poetess does not exonerate her multiple protagonis­ts.

An element of personal responsibi­lity comes out in the art of survival and several other poems. Men, who are the cause for so much grief in the poems, find grace when responsibi­lity is shared with previous generation­s who forgot to teach our fathers to give our mothers room to breathe.

The question of blame is put into a larger context of Zimbabwe’s post-colonial saga.

The anthology combines mature observatio­n with a high level of emotional intelligen­ce.

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