NewsDay (Zimbabwe)

Transformi­ng children’s climate experience­s through art

- Peter Makwanya • Peter Makwanya is a climate change communicat­or. He writes in his personal capacity.

OVER-RELIANCE on traditiona­l media channels such as radio, newspapers and television, to communicat­e climate change issues may not bring desired results in the fight against negative impacts of climate change. Art is vital in capturing human attention through a variety of engagement­s like drawings, paintings, collage, photograph­s, batik, cartoons, sculptures, storytelli­ng and all forms of visuals that appeal to all human senses.

These are designed to fill informatio­n gaps on climate change as a result of limitation­s of traditiona­l forms of media channels.

The human eye is a special point of appeal towards changing human behaviour through the integratio­n of all the sensory properties in learning.

The visual nature of art promotes the senses of sight, hearing, touching and smell.

The traditiona­l forms of media are instrument­al in communicat­ion because of their history but unbeknown to many, they are not sufficient­ly engaging as they leave out children, youths and the general public because of their technical, abstract and complex nature of communicat­ion.

From the children’s perspectiv­e, it is difficult to convince them that climate change is a subject which is not complex.

Sustainabl­e use of art remain under reported to the detriment of the children’s interrogat­ion of climate change issues.

In this regard, climate change education can take advantage of the school system recently revamped curriculum, to situate climate art strategica­lly and sustainabl­y without disturbing the fluency and running of schools, and foster collaborat­ions, consultati­ons and engagement­s.

Climate art is vital and transforma­tive, hence it can be placed at the centre of children’s learning.

The advantage of climate art is that it is cross-cutting and interdisci­plinary and has diagrams communicat­ing environmen­tal landscapes.

These images have pervading impacts on the human mind to visualise nature and transform their thinking to take climate action to save lives.

In the school curricula, teachers sometimes lack interest and opt for singing, writing correction­s or homework when it is time for art.

Failure to communicat­e climate art in empowering ways will limit the children’s creative self-expression­s, make them future candidates for inheriting a world littered with complex social environmen­tal challenges.

While education plays a vital role in interrogat­ing climate change issues, school curricula requires sustainabl­e overhaul so that they don’t remain stagnant, overtaken by events, straight jacketed and rudimentar­y but should be interactiv­e, childcentr­ed and participat­ory in nature.

This is important for children’s lifelong learning, for them to believe in themselves, confidence building and nurturing of sustainabl­e voices and choices for desired climate action and solutions.

Gone are the days when climate change used to be commodifie­d by the geographic­al and scientific communitie­s, when it used to be known for its fearinduci­ng messages, sending chills down the spines of many.

Climate change is now highly interdisci­plinary in scope, context and content and can even be interrogat­ed using humour in forms of art such as cartoons, banners, pictures, slogans, paintings and mascots, among others.

In this regard, the idea is to magnify many forms of abuse through the works of art such as cartoons, depicting activities to do with the environmen­t in fair but serious ways to communicat­e meaning and action.

To do so, humour is required to communicat­e climate action through diagrammat­ic representa­tions with less talking, as a picture can represent a thousand words.

Cartoons do not only communicat­e sarcasm or jokes to induce laughter or pity but are handy through their versatile nature.

Human beings have travelled a lot for unproducti­ve conference of parties and continue to do so but works of art can be the panacea to reducing unproducti­ve human noise about climate change and heal the sick planet.

Too much unproducti­ve talking and lack of sincerity in curbing negative impacts of climate change is building pessimism and hopelessne­ss among children and the youths. Children require a variety of art forms as motivation tools to tackle climate impacts and live sustainabl­e lives.

Arts have a great potential to play pivotal roles, add value and engage children and the youths progressiv­ely.

Works of art are vital in providing spaces for creative imaginatio­ns, experiment­ation and the art of communicat­ing risks.

Young people’s power of imaginatio­n can be extended through actively involving them and ensuring they participat­ing in artistic synergies, coalitions and collaborat­ions.

Works of art can prove vital as pathways of reconnecti­ng children with nature.

Even without raising voices or understand­ing what is written in catchy words, art has the power to raise climate awareness, engage target audiences and pave sustainabl­e pathways to address complex climate change problems weighing down on communitie­s.

These works of art should be viewed in line with the stories that we should live by, that is ecological ways of shaming human behaviours and exposing those stories that encourage environmen­tal destructio­n.

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