NewsDay (Zimbabwe)

For couples, an increasing­ly big day before the big day

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CHITUNGWIZ­A — A white tent billowed in front of the Simango family home.

On a sunny day, dozens of guests in party clothes streamed inside, oohing and aahing over the elegant décor: white-clothed tables blooming with gold wine glasses, gold table mats and white artificial roses, all in service of toasting the end of a negotiatio­n.

For two hours, the families of Tapiwanash­e Gladys Simango (28) and her fiancé, Obvious Muzawanga (31) had engaged in a long-standing southern African marital tradition.

Known as a roora in Shona and a lobola in Ndebele, the event marks the prospectiv­e groom paying a bride price and symbolical­ly merging the two families.

The practice has preceded Zimbabwean weddings since pre-colonial times, but what was once a small family event has restyled itself for an age of reality TV and social media.

Couples want to mimic what they see on their screens — no matter the cost.

“Because they put it in the public domain, it has to look decent, it has to trend, it has to be fashionabl­e,” says Sithabiso Mazibeli Marangwand­a, the chief operating officer of Nematombo Group, an event-planning company in Harare, the capital.

In Zimbabwe, a couple is considered married after their roora; later, many throw a larger celebratio­n known as a white wedding.

But in recent years, rooras have grown so elaborate that, for some families, they are essentiall­y the first of two weddings.

“Several factors have impacted the sudden and increased rise of roora events, which include the realisatio­n by the brides and grooms that the occasion is their traditiona­l wedding and a notable event,” says Farai Chakabuda, an event strategist in Harare who oversees a wedding-industry awards programme.

Simango spent more than three months and hundreds of dollars on the roora event last year at her family home outside Harare, hiring a caterer, a decorator and a photograph­er.

She bought a striking black-andgold gown, plus matching dresses and headpieces for her nine-member roora squad.

“With my husband, we have always tried to make sure that for things that matter to us, we celebrate in a memorable way,” Simango says, “so from that, I then thought of how we would want to remember our roora day.

The roora has proven adept at evolving with the times. Centuries ago, a groom’s family would offer a hoe, blankets, baskets of grain or heads of cattle to a bride’s family, according to a study in the Journal of Southern African Studies, an academic journal published in the United Kingdom.

In the mid-1800s, that gave way to gold and guns purchased from Portuguese traders.

In its current incarnatio­n, the roora involves cash, or the promise of cash.

Throughout, the event remained a mostly intimate affair. Elizabeth Mukupuki got married in 1981.

“During that time, the ceremony was not publicised as is being done now,” says the 60-year-old, who lives in Norton, west of Harare.

“It was a bit secretive because there was fear that if a lot of people were told, you could be bewitched such that the ceremony might fail to take place.”

About a dozen people attended Mukupuki’s roora. After the talks, guests feasted on meat and sadza, a thick porridge, that her husband brought as part of the bride price.

“Now things have changed,” she says.

Marangwand­a noticed the shift about five years ago.

“It just started probably by saying, ‘Let’s just have a tent and chairs for people to be a bit more comfortabl­e as they are eating,’” she says.

Soon, bridal wish lists grew more ornamented.

“We started incorporat­ing things like hari, huts, mbira, drums, rattles to depict our Zimbabwean culture.”

These days, it’s not unusual for her company to oversee five rooras on a single Saturday, and more than 20 a month — demand that dipped only briefly during the pandemic.

Her roora packages cost between US$300 and US$2 000; the most lavish includes decoration­s, catering, photograph­y, a cake and a sound system to play music.

However, even a bargain roora is often a splurge, as the country’s average household income is about US$114 a month, according to a 2020 report by the Food and Nutrition Council, a government­regulated agency.

It’s no coincidenc­e that the roora’s makeover coincided with the rise of social media.

Simango, for instance, turned to Facebook for roora inspiratio­n.

Marangwand­a also credits Our Perfect Wedding, a popular South African TV show that follows engaged couples as they prepare for often-ornate nuptials.

She has watched roora budgets double as families cave in to social pressure to host a swoon-worthy event.

“These ceremonies serve the purpose of publicisin­g that our daughter or son is married,” says Rekopantsw­e Mate, a sociologis­t at the University of Zimbabwe in Harare.

“But the celebratio­ns are for those who have money and resources.”

Not everyone is impressed. Some traditiona­l healers frown on gilded rooras, and in particular large guest lists.

In Zimbabwean culture, a roora guest who secretly objects to the union could sour the couple’s luck.

“It invites bad omen because even people who are not happy for the marriage to take place will come,” says Constance Makomo, a traditiona­l healer in Harare.

“Some end up struggling with conceiving, and for some, the marriage won’t last for a long time.”

Simango has no regrets about her roora. Once the families settled on a bride price — cementing Simango and Muzawanga as husband and wife — the partygoers erupted in song and dance.

The aroma of lunch wafted across the tent: chicken, beef stew, cow trotters, sadza, rice.

Afterwards came hours of gospel and traditiona­l music, laughter, vibes of happiness.

The couple’s white wedding is months away, but they’d already started planning the festivitie­s.

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