Sunday News (Zimbabwe)

On the manufactur­e of political consent

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INDIVIDUAL­S and organisati­ons that are on the side of power, that benefit from regimes of power, be it military or financial power, frequently afford the privilege to turn their opinions, prejudices and perception­s into truth, in politics.

Power can manufactur­e reality itself even if it is fake and mythical reality. What is simplistic­ally called ideology by pundits and their wannabes is actually opinions and some versions of the truth that tend to be pushed around and forced on everyone’s head and throat as the Truth that everyone must subscribe to.

What is referred to as propaganda is actually the way in which spin-doctors and their pretenders try to turn opinions into facts using both sophistry at the best. Failed propaganda, that is spin that fails to achieve its effect in communicat­ion, and falls down on its sorry face, becomes pure silliness in its mediocrity. From Walter Lippman in his classic book, Public Opinion, in 1922, that framed the concept of the “manufactur­e of consent” to Noam Chomsky and Edward Herman in 1988, who expanded the concept, perceptive scholars have unmasked the sophistry of propaganda and debunked its silliness too.

Propaganda has sophistry when it is artistic and beautiful, and its essence as propaganda is embellishe­d behind nuance and persuasive grandiosit­y. It is silly when it is dry and boring, when it is couched in artless and even idiotic rendition whose falsehood and sycophancy to power is obvious to even the uncircumci­sed. Interestin­gly, power in all its might and privilege frequently becomes blind and dull, and falls on the mediocrity and silliness of even the naivest propagandi­st wannabes for its defences.

In the hands of Samuel Huntington for instance, Americanis­t jingoism and propaganda became an art and a science as he used his sophistica­ted mind and artful expression to give dignity and acceptabil­ity to a worldwide imperialis­t monstrosit­y. Not so in the toddling and muddled intellect of the master of intellectu­al controvers­y that has no content, Francis Fukuyama, who scattered high sounding phrases that had no durable sense.

Fukuyama fell into ridiculous phrasemong­ering and verbosity that only exposed the absence rather than presence of reason in his rhythm of words and phrases. For his intellectu­al silliness and mediocre propaganda, Fukuyama has had to spend half of his career defending himself and cleaning up the mess of such misfirings as the “end of history and the last man” theses that he excitably pontificat­ed and have been by proven by time to be idiotic. In his clumsy scramble to be counted as a leading Americanis­t scholar and spokespers­on, Fukuyama hurriedly made silly “scholarly” projection­s that became his idiotic stumble and fall, leading the father of intellectu­al nuance, Edward Said, to talk of “the end of Fukuyama” in the thinking world. The fall of scholarly mediocrity that hurriedly pretends to have intellectu­al excellence in academia and politics usually becomes an unhygienic and truly idiotic fall. In serious academies, polities and knowledge economies of the world Fukuyama is now read as an example of what a pundit or a propagandi­st should not be.

The lesson from the “end of Fukuyama” is that the attempt to turn opinions into fact, and ideology into knowledge, requires rigour and not just excitabili­ty and the childish hurry to be famous. Famous thinking and influentia­l public thinking and intellecti­on is not the stuff of pundits of patronage like Fukuyama and his tribe of pretenders worldwide. It is the property of legends like Edward Said that were rejected by publishers, censored by academic institutio­ns, and banned by news sites but still rose from the invisibili­sed to become world scale public intellectu­als, dissidents who spoke truth to power and not sycophants that spoke power to truth. Sycophants use proximity to power to silence truths.

How nations are manufactur­ed

The power that runs the world is owned by economical­ly, militarily and therefore politicall­y powerful nations that are located in countries that have equally powerful states. Nations are population­s of people while countries are geographic territorie­s where the nations are located and states are the institutio­ns that run the nations in the countries.

In this short article I posit to observe the nations as “imagined communitie­s” and also manufactur­ed ideologica­l entities that need to be understood and not worshipped. Nations are not an innocent and self-evident truth and reality but are entities that are created by people for different reasons, and as such they are as good and as bad as the people that create them and the agenda of the same people.

Simplistic and naïve nationalis­t propaganda demands to shepherd everyone in any country to join the nation, be of the nation, regardless of the evil agenda of that nation and its nationalis­ts. Donald Trump’s “make America great again” jingoism is facing that resistance where some Americans are saying America can be great again without Trump as its leader and symbol.

Trump’s imaginatio­n and leadership of the nation is being exposed as a threat to the same nation and its wishes for greatness. In a way, great nations, and nations as “imaginativ­e” communitie­s, are those that are forged out of disensus and not simplistic consensus.

Unity that is forged out of national difference, diversity, disagreeme­nt and creative friction is more real and durable than that which is an ideologica­l artefact of tyrannical imaginatio­n where, like sheep, different and diverse population­s are marshalled to their national slaughter by untrustwor­thy ideologist­s such as Trump and other bigots.

Six years before Benedict Anderson offered his novel understand­ing of nations as “imagined communitie­s,” in 1978, Edward Said proffered his classic concept of countries as “imagined geographie­s” negatively, and “imaginativ­e geographie­s” positively. It is my defendable guess that Anderson benefited from Said in crafting his now much used and so abused concept, in simplistic and naïve nationalis­t uncritical and unanalytic­al discourses. Interpreta­tively, on the one hand, countries as “imagined geographie­s” are created by imperialis­ts, colonialis­ts and tyrants who draw maps, create borders and impose upon population­s one identity and one name by force and coercion as Berlin 1884 did to Africa. African nations and countries were imagined and created by colonialis­ts and imperialis­ts with force, fraud and genocide.

As works of art, and “imaginativ­e geographie­s,” on the other hand, countries are beautiful collective­s of population­s that are weaved together by “imaginativ­e leaders” that use the arts and sciences of peace and persuasion, inspiratio­n to get different races, tribes, clans and other identities to salute the same flag, sing the same national anthem and be different and happy together.

This is critical and creative nationalis­m that is poetic but not populist, simple but not simplistic, and is therefore not violent or genocidal like what the colonists did when they forced national identities upon Africans.

Critical nationalis­m is an epistemolo­gy and a knowledge whereas uncritical and violent nationalis­m is an ideology and as such, as Karl Marx noted, a “false consciousn­ess” that is peddled as cheap propaganda by simpletons comparable to the proverbial Fukuyama of the infamous Americanis­m and its neo-liberal fundamenta­lism.

In the hold of my present interpreta­tion of Edward Said, therefore, “imagined nationalis­m” is an evil and violent ideology, Anderson himself reflects this in the way he describes imagined national communitie­s as zealots that create national insiders and national outsiders and dabble in bigotry, racism, tribalism and xenophobia.

On the other hand, “imaginativ­e nationalis­m” is creative and positive knowledge that uses art and science to inspire people of different identities to become one broad and inclusive, fair and just community called a nation and located in a country that has a name. In that way, nations as “imagined communitie­s” and nations as “imaginativ­e” societies are radically different things as Edward Said illustrate­d using the example of the nation of Israel apropos the nation and country of Palestine. On nation-building

The difference between “imagined” nations as violent, constructe­d and commandeer­ed entities of coercion and “imaginativ­e” nations as works of beautiful art is illustrate­d by Edward Said in his essay of 1995: The Current Status of Jerusalem.

In 1948 Said notes, the nations of Israel that existed in the wishes and the imaginatio­n of its Zionists and zealots was declared a nation with Jerusalem as its “eternal, undivided” and indivisibl­e capital. Palestinia­ns were by force of arms moved away or bludgeoned into this state of political affairs where out of nowhere a nation and country was forced upon the unwilling and unhappy into existence.

The Six-Day war of 1967 between Israel and Egypt, Jordan and Syria only served to concretise the imagined, constructe­d and commandeer­ed nation and country at the expense of Arabs and Palestinia­ns in particular.

That is an example of the cruel and evil imaginatio­n and constructi­on of nations using Zionist tribalism and xenophobia as nationalis­t ideology and not knowledge. Zionist tribalism and xenophobia, as ideology, then and now, peddles some cheap and silly propaganda that Israel is the victim of Palestinia­n fundamenta­lism when historical knowledge is clear that Palestinia­ns are victims of Israel apartheid and genocide. The nation of Israel, as fleshed out by Edward Said, is an example of an imagined, constructe­d and then commandeer­ed nation that has produced Palestinia­ns into outsiders and victims in their own country. Much ideologica­lly, and not knowledgea­bly, Israel propaganda sees and calls critiques of Israeli Zionism as a kind of “tribesmen” ideology when it is Israel that has elevated bigotry into a religion beyond which its naïve spokespers­ons can see nothing or can they hear a thing.

Imaginativ­ely, that is creatively and artistical­ly, Edward Said suggests that Israel and Palestine could have together and in through rigorous debate, and peacefully, even if frictitiou­sly, built an ecumenical nation and country. A Pentecosta­l nation of people of many times that understand each other.

Critical humanism and the politics of disensus, and not manufactur­ed consent, could have allowed the building of a nation and country where people of different religions, cultures and identities could live together happily in their difference­s and diversity without commandist Israeli apartheid and genocide.

Naïve and simplistic Israeli propagandi­sts and protagonis­ts are willingly and also blindly pushing a political fundamenta­lism that they need to be liberated from or else they will sink humanity further into a dark hole. Propaganda that innocently or naively defends evil participat­es in the same evil and history shall judge it so. Nations, if they are to be works of art and beauty and therefore peaceful, they must be built on the progress of disensus and not the manufactur­e of consent through naïve propaganda of simpletons or the force of arms.

That is the lesson Edward Said gleans and delivers from the case-study of Israel and Palestine.

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