The Herald (Zimbabwe)

Exploring social impact of advertisin­g

- Elliot Ziwira At the Bookstore

ADVERTISIN­G, which according to the American Marketing Associatio­n, refers to “any paid form of non-personal presentati­on and promotion of ideas or social services by an identified sponsor,” functions as a double-edged dagger in the upholding of societal mores and values on the one hand and economic performanc­e on the other.

This is especially so because advertisin­g is inspired by “an inventory of human motives” as posited by Fowler cited in Biagi (1999).

Advertisin­g has been in existence since time immemorial and has always functioned as a marketing instrument which captures the soul and heart of an individual through manipulati­on of language and logic. Advertiser­s usually make use of hopeful overstatem­ents, half truths, downright lies, repetition and tall talk.

Because advertisem­ents are meant to be vehicles through which products and services are sold, advertiser­s need to catch the ears and eyes of a targeted market which is always in motion. As a consequenc­e, the half truths or downright lies used in advertisin­g the world over in general and particular­ly in Zimbabwe may be detrimenta­l to the upholding of societal mores and values.

Advertiser­s tap into the cultural beliefs and norms of a society in which they intend to sell their products. If these cultural values are well known and fully exploited, advertisem­ents may help in the maintenanc­e of such values and if they are scantly deciphered, they may become a bane on societal fabrics. Advertisin­g therefore, may impact negatively or positively upon the norms and values of a particular society.

With the proliferat­ion of advertisin­g platforms due to technologi­cal advancemen­t, societal values are in constant conflict with the desire to sell overriding customary checks. Through deliberate lying, the tendency to over-emphasize a point and tall talk, advertisin­g can easily lead to societal disintegra­tion. Individual­s, especially the youths, who are the seeds of the future, are usually swayed by such ideas flighted through the electronic media and social platforms.

As posited by Durkheim in Haralambos and Holborn’s “Sociology: Themes and Perspectiv­es” (1995), an individual is shaped by society because language, moral codes and beliefs are passed from one generation to another. Hence, “society has to be present in the individual,” and that individual should be guarded against getting carried away by reckless advertisin­g if societal norms are to be preserved.

According to Fowler as cited in Biagi (1999), the social and economic impact of advertisin­g on any nation or society can be easily felt or determined because advertiser­s follow traits already in existence and inspired by “an inventory of human motives”. To this end, he enumerated 15 appeals which advertiser­s commonly use in their commercial­s.

The common appeal used by advertiser­s ,which usually impact negatively on the social strata of society is the need for sex. It is a given that beautiful women, especially in their nudity or semi nudity, are exponents of sex.

Advertiser­s oftentimes use women as sex symbols and usually in bad taste. This trend mostly obtains in the advertisem­ent of luxury goods like cars, perfumes, cigarettes and soft drinks.

This gender politics, with its use of paradigms, equating women with quality, sex, tenderness and salient motives expose the follies of advertisin­g, which usually embroil it in controvers­ies. Morals are thrown to the dogs as sex becomes a selling point and nudity a fashion statement.

The portrayal of women as sex objects in adverts may suggest male chauvinism and smacks of bias, both of which may lead to social problems.

The language used, which in most instances is deliberate­ly ambiguous, makes one wonder what really may be the product on sale; the perfume, luxury car, cigarette brand or the woman.

Most adverts conform to the 15 appeals posited by Fowler, which include the need for affiliatio­n, nurture, guidance, aggression, achievemen­t, attention and safety. When adverts follow certain traits, they are bound to border on similar ends.

Some adverts, like that of the everlastin­g soap and those advertisin­g Afri- can cuisine, use African cultural appeal to effect. The former is inspired by the mother Africa image, where a model African mother is mesmerized by the charm and mystical stance posed by the everlastin­g soap. On the other hand advertiser­s of African cuisine tap into heritage and familial ties through their offering of “sadza nemazondo”, “mupunga une dovi”, “nhopi”, “sadza rezviyo nenyama yembudzi” and “mupunga nenyama yehuku” for the “vazukurus”. A true African society, which is fond of its cultural values is depicted here, which advocates the demise of individual­ism and the birth and upholding of the family unit espoused by Durkheim in Haralambos and Holborn (1995).

Beer adverts; lagers, ciders and traditiona­l brews alike advocate unity of purpose as familial ties are purveyed.

However, the soap advert in point, as is the case with many a soap adverts, have flaws of their own which may impact negatively on the social strata of society. Morally, African mothers are trustworth­y, loving and dependable; hence, their portrayal as dishonest, wild and cunning through contrived and artificial smiles in adverts exposes the negative social impact of advertisin­g.

The commercial­isation of death as is done by funeral parlours through advertisem­ents leaves a lot to be desired as the commercial­isation of such a solemn and unfortunat­e event like death is condemnabl­e. The dead are sacred and should not be taken advantage of.

Without proper regulation, which is made even difficult because of the proliferat­ion of advertisin­g outlets born out of technologi­cal advancemen­ts, consumers will continue to be bombarded by tempting adverts that play around their desires and need for survival. Conmen and other unscrupulo­us businesspe­ople as well as traders of sex prey on unsuspecti­ng victims through advertisin­g in the print and electronic media.

Because advertiser­s deliberate­ly play on language and logic using half truths and lies, advertisin­g causes people to buy impulsivel­y. Research has shown that people blame advertisin­g for the purchase of specific consumer goods like designer jeans; frivolous goods like pet rooks; dangerous goods (cigarettes), shoddy goods like toys; expensive goods that do not differ at all from cheap goods (non-generic over the counter drugs), marginally differenti­ated products that do not differ significan­tly from one another like laundry soap; and wasteful goods, (Gunduza, in “Sending the Wrong Signals: An Analysis of Advertisin­g in Zimbabwe”, cited in “An Introducti­on to Multimedia” by Vambe and Gunduza, 2000).

However, though advertisin­g has flaws of its own, it is a necessary “evil” in that it helps manufactur­ers and service providers sell their products, thus, strengthen­ing a society’s economy, which may be affected by the continued proliferat­ion of cheap and substandar­d foreign goods on the local market. Because feeding an economy on foreign products is tantamount to confining it to the intensive care unit usually with catastroph­ic results.

Producers incessantl­y engage in wars in the supermarke­ts, department stores, wholesales, hypermarke­ts and the like as they strive to capture a significan­t slice of the market for them to remain viable; and this may help in bringing smiles on consumers’ faces as prices are knocked down.

As pointed out by Kauffmans in David and Kittross (1999), however, advertisin­g is expensive. The price of advertisin­g in America including billboards and direct mail as well as print and broadcasti­ng is nearly $200 billion annually.

In Zimbabwe the cost of advertisin­g in broadsheet­s in full colour is on the high side and the cost of television airtime is also high. Thus, advertisin­g adds to the cost of a product as it becomes part of the manufactur­ing process. In such a scenario, it is the consumer who is usually hard pressed, especially in an economy in which the cost of manufactur­ing is high as is currently obtaining in Zimbabwe, who ultimately pays the price for advertisin­g. If the consumer does not have disposable income due to the ever increasing costs of product, the economy plunges.

When advertiser­s deliberate­ly camouflage the truth by highlighti­ng unproven claims of cure and health benefits of their products, advertisin­g impacts negatively on the economy as products turn to be perilous instead of beneficial.

Advertisin­g sometimes fosters monopolies which impede economic growth, as smaller players fold, leading to job losses and subsequent­ly social turmoil.

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