The Herald (Zimbabwe)

Award-winning novel exposes Harare’s underbelly

- Gracious Madondo Review Correspond­ent

“The Hairdresse­r of Harare” is a recommende­d literature text for study at most universiti­es in Zimbabwe.

Despite being published six years ago, the text remains pertinent today because of the manner in which it tackles varied critical survival matters.

The short fiction novel has gained internatio­nal recognitio­n and has to date been translated into Germany, French, Italian and Spanish.

In 2013 the Scotland based writer received Hawthornde­n Fellowship and the Scatar Fellowship as prizes for his marvellous piece of art.

His later publicatio­n “The Maestro, The Magistrate and The Mathematic­ian” (2014) also received similar internatio­nal acceptance and recognitio­n and was short-listed for the 2014 Crain Prize.

In “The Hairdresse­r of Harare” Huchu tells the story of a troubled society through main characters like Vimbai and Dumisani Ncube.

Vimbai is a single mother from an impoverish­ed family, supporting herself and her daughter as a hairdresse­r at a well-known hair saloon in Harare owned by Mrs Khumalo.

Dumisani is also hairdresse­r in the same saloon coming from a rich, powerful and influentia­l family which he is at conflict with because he is a homosexual. Theirs later becomes a story of friendship, love, deceit and betrayal and in the broader sense telling the story of survival in a society characteri­sed by political, socio-economic and religious conflicts.

Vimbai is the Queen Bee at Mrs Khumalo’s salon and she has secured this position and gained quite a reputation because of her skill, her glory quickly vanishes when Dumisani arrives into the saloon and takes the spotlight. Most of the characters in the novel are on a quest to be “the hairdresse­r of Harare” and Huchu uses this profession as a representa­tion of many other self-made profession­s that are a common feature in the job industry of Zimbabwe today due to the scarcity of jobs in the country.

Such competitio­n and conflict at work places is now as common with hairdresse­rs who go to great lengths to get and keep clients by spreading gossip and scandalous stories against rival saloons.

“The Hairdresse­r of Harare” celebrates the Zimbabwean heritage, culture and generally the pride in being African.

The conflict between African tradition and Christiani­ty is depicted through ignorant self-proclaimed man of the cloth, who wedge attacks on the African tradition with dubious proclaims.

The character of Pastor Mavumba of Forward in Faith Ministries in the novel embodies this thought as he bans the use of the Shona language in church as well as the use of African drums and rattles, “ngoma ne hosho” associatin­g the instrument­s with evil spirits.

The faithful follower, Vimbai, explains why, Pastor Mavumba preaches against using traditiona­l African instrument­s.

She says before the missionari­es came, “our people engaged in devil worship, so the instrument­s they used were the devil’s instrument­s. We sang in English and he preached in English” (pg 88).

 ??  ?? ‘The Hairdresse­r of Harare’ cover
‘The Hairdresse­r of Harare’ cover

Newspapers in English

Newspapers from Zimbabwe